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000913049 020__ $$a9783030169008
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000913049 035__ $$aSP(OCoLC)on1110218724
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000913049 050_4 $$aPN1992.3.U5$$bR58 2019
000913049 08204 $$a791.430941$$223
000913049 1001_ $$aRives-East, Darcie,$$eauthor.
000913049 24510 $$aSurveillance and terror in post-9/11 British and American television /$$cDarcie Rives-East.
000913049 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2019]
000913049 300__ $$a1 online resource
000913049 336__ $$atext$$btxt$$2rdacontent
000913049 337__ $$acomputer$$bc$$2rdamedia
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000913049 5050_ $$a1. Introduction: Surveillance and Terror in Post-9/11 British and American Television -- 2. Captive Viewers: Prisons, Captivity, and Social Control -- 3. Policing, Surveillance, and Terror--and the Return of Sherlock Holmes -- 4. We Spy: Espionage and the National Intelligence Agency -- 5. Conclusion: The Double Conditioning of Viewers, Surveillance, and Television.
000913049 506__ $$aAccess limited to authorized users.
000913049 520__ $$aThis interdisciplinary study examines how state surveillance has preoccupied British and American television series in the twenty years since 9/11. Surveillance and Terror in Post-9/11 British and American Television illuminates how the U.S. and U.K., bound by an historical, cultural, and television partnership, have broadcast numerous programs centred on three state surveillance apparatuses tasked with protecting us from terrorism and criminal activity: the prison, the police, and the national intelligence agency. Drawing from a range of case studies, such as Sherlock, Orange is the New Black and The Night Manager, this book discusses how television allows viewers, writers, and producers to articulate fears about an increased erosion of privacy and civil liberties following 9/11, while simultaneously expressing a desire for a preventative mechanism that can stop such events occurring in the future. However, these concerns and desires are not new; encompassing surveillance narratives both past and present, this book demonstrates how television today builds on earlier narratives about panoptic power to construct our present understanding of government surveillance.
000913049 650_0 $$aTelevision plays, American$$xThemes, motives.
000913049 650_0 $$aTelevision plays, English$$xThemes, motives.
000913049 852__ $$bebk
000913049 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-16900-8$$zOnline Access$$91397441.1
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000913049 982__ $$aEbook
000913049 983__ $$aOnline
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