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000913597 020__ $$a9783030249182$$q(electronic book)
000913597 020__ $$a3030249182$$q(electronic book)
000913597 035__ $$aSP(OCoLC)on1117634588
000913597 035__ $$aSP(OCoLC)1117634588
000913597 040__ $$aEBLCP$$beng$$cEBLCP$$dGW5XE
000913597 049__ $$aISEA
000913597 050_4 $$aPN1998.3.T747
000913597 08204 $$a791.43/0233092$$223
000913597 24504 $$aThe films of Lars Von Trier and philosophy :$$bprovocations and engagements /$$cJosé A. Haro, William H. Koch, editors.
000913597 260__ $$aCham :$$bPalgrave Macmillan,$$c2019.
000913597 300__ $$a1 online resource (145 pages)
000913597 336__ $$atext$$btxt$$2rdacontent
000913597 337__ $$acomputer$$bc$$2rdamedia
000913597 338__ $$aonline resource$$bcr$$2rdacarrier
000913597 504__ $$aIncludes bibliographical references and index.
000913597 5050_ $$aIntro; Acknowledgments; Contents; Notes on Contributors; Chapter 1: Introduction: Provocation to Philosophy; Chapter 2: The Ass I Kick Today May Be the Ass I'll Have to Kiss Tomorrow: What's Up with the Sacrifice of Women in the Films of Lars von Trier?; References; Chapter 3: Film as Phantasm: Dogville's Cinematic Re-evaluation of Values; The Destruction of Moral Belief in Dogville; Dogville's Moral Aporia and the Re-evaluation of Compassion; The Optics of Belief; Cinematic Phantasms; References; Chapter 4: Manderlay and the Universe of American Whiteness; References
000913597 5058_ $$aChapter 5: Art and Myth: Beyond BinariesIntroduction; Binaries; The Obvious and the Not So Obvious; The Familiar Binaries; She Is Lilith; Beyond Binaries; References; Chapter 6: The Need of the Antichrist to Tame the Wild Tongue of Nosotras; Antichrist Awakes My Wild Tongue; Crossing over, Entering into the Serpent; Wild Tongues Can't Be Tamed, They Can Only Be Cut (Anzaldúa 1999); References; Chapter 7: Lars von Trier: Traversing the Fantasy of the Child; References; Chapter 8: Melancholia's End; References
000913597 5058_ $$aChapter 9: Would It Be Bad If the Human Race Ceased to Exist? Melancholia and the Import of Human ExistenceSynopsis and Interpretation of the Film; Responding to the Argument for Pessimism in Melancholia; Implications for the Meaning of an Individual Life; References; Chapter 10: It Is There in the Beginning: Melancholia, Time, and Death; Of Cosmic Origins: Melancholia and the Planetary; Exploring the Semiotic: Entry into Psychic Life and Preconditions for Melancholia; To the Thing Itself: Melancholia, Time, and Death; References; Index
000913597 506__ $$aAccess limited to authorized users.
000913597 588__ $$aDescription based on print version record.
000913597 60010 $$aTrier, Lars von,$$d1956-$$xCriticism and interpretation.
000913597 650_0 $$aMotion pictures$$xPhilosophy.
000913597 7001_ $$aHaro, José A.
000913597 7001_ $$aKoch, William H.
000913597 77608 $$iPrint version:$$aHaro, José A.$$tThe Films of Lars Von Trier and Philosophy : Provocations and Engagements$$dCham : Palgrave Macmillan UK,c2019$$z9783030249175
000913597 852__ $$bebk
000913597 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-24918-2$$zOnline Access$$91397441.1
000913597 909CO $$ooai:library.usi.edu:913597$$pGLOBAL_SET
000913597 980__ $$aEBOOK
000913597 980__ $$aBIB
000913597 982__ $$aEbook
000913597 983__ $$aOnline
000913597 994__ $$a92$$bISE