Conceiving virtuality : from art to technology / Joaquim Braga, editor.
Braga, Joaquim.
2019
BD331
Available Online

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Title Conceiving virtuality : from art to technology / Joaquim Braga, editor.
ISBN 9783030247515 (electronic book)
3030247511 (electronic book)
DOI https://doi.org/10.1007/978-3-030-24
Imprint Cham : Springer, 2019.
Language English
Description 1 online resource (215 pages).
Other Standard Identifiers 10.1007/978-3-030-24
Call Number BD331
Dewey Decimal Classification 111
Summary This book provides new theoretical approaches to the subject of virtuality. All chapters reflect the importance of extending the analysis of the concept of "the virtual" to areas of knowledge that, until today, have not been fully included in its philosophical foundations. The respective chapters share new insights on art, media, psychic systems and technology, while also presenting new ways of articulating the concept of the virtual with regard to the main premises of Western thought. Given its thematic scope, this book is intended not only for a philosophical audience, but also for all scientists who have turned to the humanities in search of answers to their questions.
Bibliography, etc. Note Includes bibliographical references.
Access Note Access limited to authorized users.
Source of Description Description based on print version record.
Added Author Braga, Joaquim.
Series Numanities--arts and humanities in progress ; v. 1.
Available in Other Form Conceiving Virtuality: from Art to Technology
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Record Appears in Online Resources > Ebooks
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Chapter 1. Virtuality Beyond Reproduction Ontological Remarks
Chapter 2. Phenomenology and the Challenge of Virtuality
Chapter 3. Personality, Dissociation and Organic-Psychic Latency in Pierre Janets Account of Hysterical Symptoms
Chapter 4. Sonic Virtuality, Environment, and Presence
Chapter 5. Imagination and Virtuality On Susanne Langers Theory of Artistic Forms
Chapter 6. The Virtual as Precondition for Artistic Creation
Chapter 7. The Virtuality of Cinema: Beyond the Documentary-Fiction Divide with Peter Watkins and Mark Rappaport
Chapter 8. Digital Fabrication and its Meanings for Photography and Film
Chapter 9. The Reality of the Virtual in Deleuzes Transcendental Empiricism
Chapter 10. The Scope of the Virtual in the Treatment of Melancholia
Chapter 11. The End of the Virtual? A Hermeneutical Approach to Digitality
Chapter 12. Utopia, Ideology, and Philosophy.

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