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000914637 020__ $$a9783030138073$$q(electronic book)
000914637 020__ $$a3030138070$$q(electronic book)
000914637 020__ $$z9783030138066
000914637 020__ $$z3030138062
000914637 0247_ $$a10.1007/978-3-030-13807-3$$2doi
000914637 035__ $$aSP(OCoLC)on1120104321
000914637 035__ $$aSP(OCoLC)1120104321
000914637 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dUKMGB
000914637 049__ $$aISEA
000914637 050_4 $$aPN1995.9.F54
000914637 08204 $$a791.4365$$223
000914637 1001_ $$aShort, Sue,$$d1968-$$eauthor.
000914637 24510 $$aDarkness calls :$$ba critical investigation of neo-noir /$$cSue Short.
000914637 264_1 $$aBasingstoke :$$bPalgrave Macmillan,$$c2019.
000914637 300__ $$a1 online resource (1 volume)
000914637 336__ $$atext$$btxt$$2rdacontent
000914637 337__ $$acomputer$$bc$$2rdamedia
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000914637 5050_ $$aIntro; Contents; Chapter 1 Introduction: In Pursuit of the Neo-Noir; The Critical Profile Built-And Its Shortcomings; Why Is It Noir and How Is It New?; The Aims and Outline of This Investigation; Works Cited; Chapter 2 Crime, Corruption and Social Critique: A Thematic Overview of Noir; What Counts as a Counter Cinema?; Common Themes and Tropes; Heists and Hold-Ups; Vigilante Justice; Killers We Don't Necessarily Condemn; Home Invasion; Assassins; The Threat of Duplicitous Women; Shady Spouses and Surreptitious Suitors; Miscarriages of Justice; A Corrupt Legal System
000914637 5058_ $$aCover-Ups and ConspiraciesTainted Treasure; Lovers on the Run; New Developments and Departures; Gender, Race and Sexuality; Metaphysical Concerns; Works Cited; Chapter 3 Conflict and Crisis: Masculinity and Noir; The 'Crisis' Argument Reconsidered; Performativity and Reclaimed Machismo; Reluctant Avengers and the Rejection of Violence; Works Cited; Chapter 4 Fear and Fantasy: Women in Noir; The Femme Fatale: A Figure of Antipathy or Potential Identification?; Avengers, Assassins, Amnesiacs and Outlaws; Heroic Helpers and Dogged Detectives; Works Cited
000914637 5058_ $$aChapter 5 Noir by Any Other Name?: Generic Confusion and DiffusionNothing New: A History of Hybridity; In League with the Devil or Doing God's Work?: Some Big Questions in Horror-Noir; Misused Power and Manufactured Realities: SF-Noir; Works Cited; Chapter 6 A Lighter Shade of Noir: Differing Uses of Comedy; A Sign of Exhausted Ideas or Renewed Inventiveness?; Mordant Mirth and Cruel Comedy; From Fear to Absurdity: Outlandish Extremes and Parodic Twists; Works Cited; Chapter 7 Fatalism vs Free Will: Nihilism and Noir; The Labyrinth and Existential Malaise
000914637 5058_ $$aAltruism Versus Egotism-Noir's Competing ImpulsesThe True Proof of a 'Counter Cinema': Lighting the Darkness; Works Cited; Filmography; Index
000914637 506__ $$aAccess limited to authorized users.
000914637 588__ $$aDescription based on print version record.
000914637 650_0 $$aFilm noir$$xHistory and criticism.
000914637 77608 $$iPrint version:$$aShort, Sue, 1968-$$tDarkness calls.$$dBasingstoke : Palgrave Macmillan, 2019$$z9783030138066$$w(OCoLC)1108692051
000914637 852__ $$bebk
000914637 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-13807-3$$zOnline Access$$91397441.1
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