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Introduction: The Resurgence of the Gothic in Contemporary British Trauma Fiction
Beyond the Event Horizon: Witnessing the Nuclear Sublime in Martin Amiss London Fields
Gothic Collisions: Regarding Trauma in Margaret Drabbles The Gates of Ivory
Gothic Misdirections: Troubling the Trauma Fiction Paradigm in Pat Barkers Double Vision
Witness or Spectator?: Gothic Interrogations of the Reader-Witness in Kazuo Ishiguros Never Let Me Go
Conclusion.

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