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000914912 020__ $$a9783030174477$$q(electronic book)
000914912 020__ $$a3030174476$$q(electronic book)
000914912 0247_ $$a10.1007/978-3-030-17$$2doi
000914912 035__ $$aSP(OCoLC)on1121271048
000914912 035__ $$aSP(OCoLC)1121271048
000914912 040__ $$aLQU$$beng$$cLQU$$dGW5XE
000914912 043__ $$an-us---
000914912 049__ $$aISEA
000914912 050_4 $$aPN1995.9.M56
000914912 08204 $$a791.436520693$$223
000914912 24504 $$aThe myth of colorblindness :$$brace and ethnicity in American cinema /$$cSarah E. Turner, Sarah Nilsen, editors.
000914912 264_1 $$aCham :$$bPalgrave Macmillan,$$c2019.
000914912 300__ $$a1 online resource (xii, 304 pages).
000914912 336__ $$atext$$btxt$$2rdacontent
000914912 337__ $$acomputer$$bc$$2rdamedia
000914912 338__ $$aonline resource$$bcr$$2rdacarrier
000914912 504__ $$aIncludes bibliographical references and index.
000914912 5050_ $$aIntroduction -- Part I: Colorblindness -- 2. Colorblindness: The Lens that Distorts -- 3. Why Hollywood Remains "SoWhite" and a Note on How to Change It -- PART II: Colorblind Racism in Hollywood Films -- 4. Living in Zootopia: Tracking the Neoliberal Subject in a Colorblind World -- 5. The Paradox of Post-racialism: Black Hollywoods Voice in Post-Racial Discourse -- 6. Colorblind Racism, The Trump Effect, and The Blind Side -- 7. Will Smith: A Global Brand of Blackness -- 8. Tricks of the (Colorblind) Trade: Hollywoods Preservation of White Supremacy in the Age of Obama -- PART III: Intersections Between Race, Ethinicity, and Gender and Colorblind Racism in Hollywood -- 9. Zombies, Muslims, and Politics: Racism without Race in Contemporary America -- 10. Latinas/os in Hollywood: Contemporary Representations in Black and White -- 11. Tonto and The Lone Ranger: Nostalgic Kitsch or Post-Racial Backlash? -- 12. Cyborg Woman: Ex Machina and Racial Otherness -- 13. The End of the World, Hollywood, and the Endurance of Military Violence: Elysium and World War Z.
000914912 506__ $$aAccess limited to authorized users.
000914912 520__ $$aThis book explores representations of race and ethnicity in contemporary cinema and the ways in which these depictions all too often promulgate an important racial ideology: the myth of colorblindness. Colorblindness is a discursive framework employed by mainstream, neoliberal media to celebrate a multicultural society while simultaneously disregarding its systemic and institutionalized racism. This collection is unique in its examination of such films as Ex Machina, The Lone Ranger, The Blind Side, Zootopia, The Fast and the Furious franchise, and Dope, which celebrate the myth of colorblindness, yet perpetuate and entrench the racism and racial inequities that persist in contemporary society. While the #OscarsSoWhite movement has been essential to bringing about structural changes to media industries and offers the opportunity for a wide diversity of voices to alter and transform the dominant, colorblind narratives continue to proliferate. As this book demonstrates, Hollywood still has a long way to go.
000914912 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed October 7, 2019).
000914912 650_0 $$aMinorities in motion pictures.
000914912 650_0 $$aRace relations in motion pictures.
000914912 650_0 $$aRacism in motion pictures.
000914912 650_0 $$aMotion pictures$$xSocial aspects$$zUnited States.
000914912 7001_ $$aTurner, Sarah E.
000914912 7001_ $$aNilsen, Sarah.
000914912 852__ $$bebk
000914912 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-17447-7$$zOnline Access$$91397441.1
000914912 909CO $$ooai:library.usi.edu:914912$$pGLOBAL_SET
000914912 980__ $$aEBOOK
000914912 980__ $$aBIB
000914912 982__ $$aEbook
000914912 983__ $$aOnline
000914912 994__ $$a92$$bISE