List of Figures
List of Tables
Acknowledgments
Introduction
Interlude I: 'The Evil of the Thriller'
Chapter 1: Seeing Sound: Locating Music and YouTube's Symbiosis
Interlude II: 'You're Fighting for your Life inside a Killer, Thriller'
Chapter 2: Performing Postcolonialism: Filipino History Through Four-Part Harmony
Interlude III: Fade to Black
Chapter 3: Penal Tourists: The Birth of CPDRC's Prison Pop Programme
Interlude IV: 'Music, the Language of the Soul'
Chapter 4: Beats Behind Bars: Music, Docile Bodies, and the Digital Panopticon
Interlude V: Michael Jackson, the Undead, and the Posthumous Duet
Chapter 5: Thrilling: Remediating Thriller
Interlude VI: 'It's More Fun in the Philippines'
Chapter 6: 'Together in Electric Dreams': Hybridity, Nostalgia, and Imagination in CPDRC
Interlude VII: 'Thank you for the Music'
Chapter 7: YouTube's Penal Spectators
Coda: Dangerous Mediations, Prisoners of Love, and Other Considerations
Appendix
Abbreviations and Glossary
Notes
References
Index.