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000916170 020__ $$a9783030196011$$q(electronic book)
000916170 020__ $$a3030196011$$q(electronic book)
000916170 020__ $$z9783030196004 
000916170 0248_ $$a10.1007/978-3-030-19
000916170 035__ $$aSP(OCoLC)on1125990941
000916170 035__ $$aSP(OCoLC)1125990941
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000916170 050_4 $$aPN1995$$b.P35 2019
000916170 08204 $$a791.4301$$223
000916170 08204 $$a111.85
000916170 24504 $$aThe Palgrave handbook of the philosophy of film and motion pictures /$$cNoël Carroll, Laura T. Di Summa, Shawn Loht, editors.
000916170 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2019]
000916170 300__ $$a1 online resource (xxvi, 1061 pages)
000916170 336__ $$atext$$btxt$$2rdacontent
000916170 337__ $$acomputer$$bc$$2rdamedia
000916170 338__ $$aonline resource$$bcr$$2rdacarrier
000916170 504__ $$aIncludes bibliographical references and index.
000916170 5050_ $$a1.Frank Boardman -- Film Ontology: Extension, Criteria, and Candidates -- 2. Noël Carroll -- Medium Specificity -- 3. Nick Wiltsher and Aaron Meskin- The Moving Image -- 4. Patrick Keating -- The Art of Cinematography -- 5. Angela Curran -- Silly Questions and Arguments for the Implicit, Cinematic Narrator -- 6. Patrick Keating -- Narrative and the Moving Image -- 7. Karen Pearlman -- On Rhythm in Film Editing -- 8. David Davies -- Animation -- 9. Paloma Atencia-Linares -- Sound in Film -- 10. Ted Nannicelli -- What is a Screenplay? -- 11. Richard Eldridge -- Analytic Philosophy of Film (Contrasted with Continental Film Theory) -- 12. John Ó Maoilearca -- When the Twain Shall Meet: On the Divide between Analytic and Continental Film Philosophy -- 13. Shawn Loht -- The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures -- 14. Espen Hammer -- Ideology and Experience: The Legacy of Critical Theory -- 15. Paul Guyer -- Stanley Cavell: What Becomes of People on Film? -- 16. Deborah Knight -- Film Art from the Analytic Perspective -- 17. Carl Plantinga -- Cognitive Theory of the Moving Image -- 18. Andrew Klevan -- Aesthetic Criticism -- 19. Robert Sinnerbrink -- Poststructuralism and Film -- 20. Eva M. Dadlez -- Thoughtful Films, Thoughtful Fictions: The Philosophical Terrain between Illustrations and Thought Experiments -- 21. Thomas E. Wartenberg -- Contemporary Philosophical Filmmaking -- 22. Robert Sinnerbrink -- Filmosophy/Film as Philosophy -- 23. Douglas Lackey -- The Auteur Theory in the Age of the Mini-Series -- 24. Tom Gunning -- The Question of Poetic Cinema -- 25. Malcolm Turvey -- Avant-garde Film as Philosophy -- 26. Vitor Moura -- Show and Tell: The identification of documentary film -- 27. Laura T. Di Summa -- The Autobiographical Documentary -- 28. Zoë Cunliffe -- Feminist Philosophy of Film -- 29. Lewis R. Gordon- Race in Film -- 30. David A. Gerstner -- How Do We Look So Far? Notes Towa rd a Queer-Film Philosophy -- 31. Jacob M. Held -- Film, Art, and Pornography -- 32. Sheryl Tuttle Ross -- Propaganda and the Moving Image -- 33. Kristin Boyce -- Film and Fine Art: Automatism, Automata and "The Myth of Total Cinema" in The Red Shoes and Tales of Hoffmann -- 34. John Dyck -- The Sonic Art of Film and the Sonic Arts in Film -- 35. Garry L. Hagberg -- Adaptation, Translation, and Philosophical Investigation in Adaptation -- 36. Jonathan Gilmore -- Imagination and Film -- 37. Daniel Jerónimo Tobón- Empathy and Sympathy: Two Contemporary Models of Character Engagement -- 38. Jesse J. Prinz -- Affect and Motion Pictures -- 39. Nick Pappas -- Psychoanalysis and the Philosophy of Film -- 40. Ted Nannicelli -- The Television Medium -- 41. Jon Robson and Aaron Meskin -- Video games and Film -- 42. Gal Raz -- Virtual Reality as an Emerging Art Medium and its Immersive Affordances.
000916170 506__ $$aAccess limited to authorized users.
000916170 520__ $$aThis handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film mediums intersection with contemporary social issues, films kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
000916170 588__ $$aDescription based on online resource; title from digital title page (viewed on November 08, 2019).
000916170 650_0 $$aMotion pictures$$xPhilosophy.
000916170 7001_ $$aCarroll, Noël,$$d1947-$$eeditor.
000916170 7001_ $$aDi Summa, Laura T.,$$eeditor.
000916170 7001_ $$aLoht, Shawn,$$eeditor.
000916170 77608 $$iPrint version: $$z9783030196004
000916170 852__ $$bebk
000916170 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-19601-1$$zOnline Access$$91397441.1
000916170 909CO $$ooai:library.usi.edu:916170$$pGLOBAL_SET
000916170 980__ $$aEBOOK
000916170 980__ $$aBIB
000916170 982__ $$aEbook
000916170 983__ $$aOnline
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