000916598 000__ 01642cam\a2200421Mi\4500
000916598 001__ 916598
000916598 005__ 20210515184848.0
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000916598 007__ cr\un\nnnunnun
000916598 008__ 110221s2020\\\\enk\\\\\o\\\\\001\0\eng\d
000916598 020__ $$a9781139030458$$q(electronic book)
000916598 020__ $$a1139030450
000916598 020__ $$z9781107006669 
000916598 035__ $$a(NhCcYBP)EBC5968384
000916598 040__ $$aNhCcYBP$$cNhCcYBP
000916598 050_4 $$aML410.P93$$bH68 2020
000916598 08204 $$a780.92$$223
000916598 1001_ $$aHoward, Alan,$$d1979-$$eauthor.
000916598 24510 $$aCompositional artifice in the music of Henry Purcell /$$cAlan Howard.
000916598 264_1 $$aCambridge :$$bCambridge University Press,$$c2020.
000916598 300__ $$a1 online resource (xxi, 292 pages) 
000916598 336__ $$atext$$btxt$$2rdacontent
000916598 337__ $$acomputer$$bc$$2rdamedia
000916598 338__ $$aonline resource$$bcr$$2rdacarrier
000916598 4901_ $$aMusical performance and reception
000916598 500__ $$aTitle from publisher's bibliographic system (viewed on 04 Oct 2019).
000916598 506__ $$aAccess limited to authorized users
000916598 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
000916598 60010 $$aPurcell, Henry,$$d1659-1695$$xCriticism and interpretation.
000916598 650_0 $$aMusic$$y17th century$$xAnalysis, appreciaton.
000916598 650_0 $$aComposition (Music)$$xHistory$$y17th century.
000916598 7102_ $$aProQuest (Firm)
000916598 7300_ $$aCambridge EBA.$$5CaBVaS
000916598 77608 $$iPrint version:$$z9781107006669
000916598 830_0 $$aMusical performance and reception.
000916598 852__ $$bebk
000916598 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=5968384$$zOnline Access
000916598 909CO $$ooai:library.usi.edu:916598$$pGLOBAL_SET
000916598 980__ $$aEBOOK
000916598 980__ $$aBIB
000916598 982__ $$aEbook
000916598 983__ $$aOnline