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Introduction : queering post-World War II masculinity through music
Visibly hidden : postwar disorientation, queer community, and queer ambivalence
A freak deferred : Johnnie Ray navigates innovation and convention
Spectacular vacillations : Little Richard charms and disarms America
Fine and dandy : mapping Johnny Mathis's negotiations of race, sexuality, and affect
Building an empire of illusion : Liberace and the art of queering
Conclusion : disquieting and exciting : queering tools in popular music and queer becoming.

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