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Introduction; Nick Braae and Kai Arne Hansen
Section I: Broad Strokes
1. Scratching the Surface: Texts and Textures in Music Studies
or, Musicology without Music; Kyle Devine
2. From Music Analysis to Narrative Reading: A Case Study of Recorded Popular Song; Alex C. Harden
3. Kristeva and Popular Music; Nathan Wiseman-Trowse
4. The Shape of the Voice: Analyzing Vocal Gestures in Irish Traditional Music and Popular Song; Bláithín Duggan
5. Its a Dark Philosophy: The Weeknd, Intermediality, and the Aestheticization of Provocative Themes; Kai Arne Hansen
Section II: Second Takes
6. Treating Cultural Trauma with Music: The Representation of War in the Music of Bruce Springsteen; Susanna Välimäki
7. Linear Temporality in Popular Song; Nick Braae
8. "To Prepare a Face to Meet the Faces that you Meet": The Instrumental Retrowave Persona; Andrei Sora
9. Electric Affinities: Wagner, Hendrix, and the Thingness of Sound; Erik Steinskog
Section III: Entanglements
10. Timbre, Genre, and Polystylism in Video Game Music; Megan Lavengood
11. A Musical Exploration of Incongruity and its Humorous Effects; Ragnhild Brøvig-Hanssen
12. The Empowerment of the Listener in Kendrick Lamars "Backseat Freestyle"; Steven Gamble
13. Psychedelic Ways of Listening: A Gothic Case Study; Claire Rebecca Bannister
14. Taken by Strum: Ukulele Jamming as Musical Experience; Matthew Bannister
Afterword; Allan F. Moore.

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