Hong Kong dark cinema : Film noir, re-conceptions, and reflexivity / by Kim-Mui E. Elaine Chan.
2019
PN1995.9.F54
Linked e-resources
Linked Resource
Online Access
Concurrent users
Unlimited
Authorized users
Authorized users
Document Delivery Supplied
Can lend chapters, not whole ebooks
Details
Title
Hong Kong dark cinema : Film noir, re-conceptions, and reflexivity / by Kim-Mui E. Elaine Chan.
Author
Chan, Kim Mui, Elaine.
ISBN
9783030282936
3030282937
9783030282929
3030282937
9783030282929
Published
Cham : Palgrave Macmillan, 2019.
Language
English
Description
1 online resource (xii, 241 pages) : illustrations.
Other Standard Identifiers
10.1007/978-3-030-28
Call Number
PN1995.9.F54
Dewey Decimal Classification
791.4095
Summary
'Hong Kong Dark Cinema is a highly original and significant rethinking of film noir and neo-noir in Hong Kong film. Chans detailed studies of key films are compelling accounts of the ways film directors have used narrative form and film style to explore the interrelationship of Hong Kong history and politics with questions of cultural and sexual identity. --Elizabeth Cowie, Emeritus Professor of Film Studies, University of Kent, UK 'Elaine Chans book is both a re-examination of the history of Hong Kong cinema from the unique perspective of 'dark cinema and a set of critical reflections on its present and future.... The importance of Elaine Chans book Hong Kong Dark Cinema is that it is the first attempt to define what might be called the duende or dark spirit of Hong Kong cinema, while meticulously tracing its gradual emergence from a set of local conditions. -- Ackbar Abbas, Professor of Comparative Literature, University of California, Irvine, USA 'This brilliant work deepens our understanding of film noir in general and contextualizes its development in post-colonial Hong Kong in particular. It demonstrates how the genre has developed in heterogenous ways and in its artistic complexity. It succeeds in demonstrating Judith Butler's notion of simultaneous performativity and Derrida's différance and depicts them in filmic space. It expands our reading of Hong Kong cinema beautifully in volumetric dimensions. --Eva Man, Chair Professor in Humanities and Director of Academy of Film, Hong Kong Baptist University, Hong Kong 'Hong Kong Dark Cinema provides the first sustained theoretical account of the transformation of film noir in Hong Kong. The changing situations of Hong Kong before and after its reversion to China provide the immediate context, but throughout the book Chan views this distinctive genre in relation to world cinema.... Having all sorts of valuable information and insights, this book will be an invaluable resource for anyone interested in Hong Kongs contribution to world cinema. -- Stephen Chu, Professor and Director of the Hong Kong Studies Programme, The University of Hong Kong, Hong Kong.
Bibliography, etc. Note
Includes bibliographical references.
Access Note
Access limited to authorized users.
Series
East Asian popular culture (New York, N.Y.)
Linked Resources
Online Access
Record Appears in
Online Resources > Ebooks
All Resources
All Resources
Table of Contents
1. Introduction
2. Film Noir, Crisis and Politics of Identity
3. The Private Eye Blues: A New Spectator-Screen Relationship
4. City of Glass: a Temporal Character of Plot
5. Happy Together: Reversing the Archetypal Roles
6. Swordsman II: Performance and Performativity
7. Conclusion.
2. Film Noir, Crisis and Politics of Identity
3. The Private Eye Blues: A New Spectator-Screen Relationship
4. City of Glass: a Temporal Character of Plot
5. Happy Together: Reversing the Archetypal Roles
6. Swordsman II: Performance and Performativity
7. Conclusion.