Off the axis: the renaissance without Vasari
Working with "and without" Vasari's lives
Court centers as world cities
What was Italy?
Models for renaissance cultural geography: dialect pluralism versus literary canons
Place, event, and the geopolitics of art
Place in relational geography
Place as event and performance in an altarpiece by Lorenzo Lotto
Regionalism and its discontents
The view from Messina: Lombards, Sicilians, and the modern manner
The questione meridionale in the history of art
A southern renaissance without Vasari
Cesare da Sesto: raffaelesco or anti-Raphael?
Polidoro da Caravaggio's radical late style
Distant cities: Lorenzo Lotto and Gaudenzio Ferrari
Lorenzo Lotto: an artist "out of place"
Lotto and Gaudenzio: parallel careers
From Varallo to Loreto: landscapes of pilgrimage
Holding Rome at a distance: Lotto's Loreto network
Excursus: the meaning of style
Coercive geometry
Moti: emotional dynamics
Gaudenzio as city artist
Brescia and Bergamo, 1520-50: sacred naturalism and the place of the eucharist
Eucharistic heterotopias in Lombardy: Romanino at Pisogne
Painting/christogram/eucharist
Moretto and the "materiality" of style
Against Titian
Artists "off the axis": the Campi, the Carracci, and the legacy of Correggio
The afterlife of Titian in Milan
The 1540s: Titian as "Italian" artist
Ludovico Dolce and the invention of Venetian painting
The placelessness of Titian's late style.