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000920975 001__ 920975
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000920975 020__ $$a9780226481593$$q(electronic book)
000920975 020__ $$a022648159X$$q(electronic book)
000920975 020__ $$z9780226481456
000920975 020__ $$z022648145X
000920975 035__ $$a(NhCcYBP)EBC5807054
000920975 040__ $$aNhCcYBP$$cNhCcYBP
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000920975 050_4 $$aN6915$$b.C2815 2019
000920975 08204 $$a709.02/4$$223
000920975 1001_ $$aCampbell, Stephen J.$$q(Stephen John),$$d1963-$$eauthor.
000920975 24514 $$aThe endless periphery :$$btoward a geopolitics of art in Lorenzo Lotto's Italy /$$cStephen J. Campbell.
000920975 264_1 $$aChicago ;$$aLondon :$$bThe University of Chicago Press,$$c2019.
000920975 264_4 $$c©2019
000920975 300__ $$a1 online resource (xxii, 351 pages:) :$$billustrations.
000920975 336__ $$atext$$btxt$$2rdacontent
000920975 337__ $$acomputer$$2rdamedia
000920975 338__ $$aonline resource$$2rdacarrier
000920975 4901_ $$aThe Louise Smith Bross lecture series
000920975 504__ $$aIncludes bibliographical references and index.
000920975 5050_ $$aOff the axis: the renaissance without Vasari -- Working with "and without" Vasari's lives -- Court centers as world cities -- What was Italy? -- Models for renaissance cultural geography: dialect pluralism versus literary canons -- Place, event, and the geopolitics of art -- Place in relational geography -- Place as event and performance in an altarpiece by Lorenzo Lotto -- Regionalism and its discontents -- The view from Messina: Lombards, Sicilians, and the modern manner -- The questione meridionale in the history of art -- A southern renaissance without Vasari -- Cesare da Sesto: raffaelesco or anti-Raphael? -- Polidoro da Caravaggio's radical late style -- Distant cities: Lorenzo Lotto and Gaudenzio Ferrari -- Lorenzo Lotto: an artist "out of place" -- Lotto and Gaudenzio: parallel careers -- From Varallo to Loreto: landscapes of pilgrimage -- Holding Rome at a distance: Lotto's Loreto network -- Excursus: the meaning of style -- Coercive geometry -- Moti: emotional dynamics -- Gaudenzio as city artist -- Brescia and Bergamo, 1520-50: sacred naturalism and the place of the eucharist -- Eucharistic heterotopias in Lombardy: Romanino at Pisogne -- Painting/christogram/eucharist -- Moretto and the "materiality" of style -- Against Titian -- Artists "off the axis": the Campi, the Carracci, and the legacy of Correggio -- The afterlife of Titian in Milan -- The 1540s: Titian as "Italian" artist -- Ludovico Dolce and the invention of Venetian painting -- The placelessness of Titian's late style.
000920975 506__ $$aAccess limited to authorized users
000920975 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
000920975 588__ $$aDescription based on print version record.
000920975 60010 $$aLotto, Lorenzo,$$d1480?-1556.
000920975 650_0 $$aArt, Renaissance$$zItaly.
000920975 7102_ $$aProQuest (Firm)
000920975 77608 $$iPrint version: $$z9780226481456$$z022648145X$$w(DLC)  2018042687
000920975 830_0 $$aLouise Smith Bross lecture series.
000920975 852__ $$bebk
000920975 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=5807054$$zOnline Access
000920975 909CO $$ooai:library.usi.edu:920975$$pGLOBAL_SET
000920975 980__ $$aEBOOK
000920975 980__ $$aBIB
000920975 982__ $$aEbook
000920975 983__ $$aOnline