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Introduction: The world made type
Part I: The making of a modern media ecology
Pictures and voices from a paper empire
Iwanami Shoten and the enterprise of eternity
The topography of typography: bibliophiles and used books in the print city
Part II: Prose, language, and politics in Japan's type era
New age sensations: Yokomitsu Riichi and the contours of literary discourse
Brave new words: orthographic reform, romanization, and esperantism
The medium is the masses: print capitalism and the prewar leftist movement
Conclusion: ends, echoes, and inversions.

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