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Table of Contents
Introduction : 'Leave not a rack behind'
Liveness, documentation, and the RSC's Dreams, 1954-77
Photographing the past in the theatre of Charles Kean
Julia Margaret Cameron, sympathetic Shakespeare and photographic afterlives
'Too much of water' : Ophelia, photography, dissolution
Poor Yorick : the photograph as memento mori.
Liveness, documentation, and the RSC's Dreams, 1954-77
Photographing the past in the theatre of Charles Kean
Julia Margaret Cameron, sympathetic Shakespeare and photographic afterlives
'Too much of water' : Ophelia, photography, dissolution
Poor Yorick : the photograph as memento mori.