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From "Northern Gate" to "Southern Advance": Envisioning the North-South Expansion of Colonial Japan
Creating "Culture for Little Countrymen": The Total Mobilization of Toshi's Micronesian Experience
Red Shift: Pre-1945 Visual Culture, Heterochronicity, and Proletarian Eastern Time
Bare Naked Aesthetics: Postwar Arts and Toshi's Populist Manifesto
Art as War Crime: Artistic Wartime Responsibility and the International Military Tribunal for the Far East
Art as Direct Action: Hiroshima and the Nuclear Panels.

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