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000921720 020__ $$a9780191881664 $$q(electronic book) 
000921720 035__ $$a(StDuBDS)EDZ0002155739
000921720 040__ $$aStDuBDS$$beng$$cStDuBDS$$erda$$epn
000921720 050_4 $$aPN1707
000921720 08204 $$a792.015$$223
000921720 1001_ $$aMacintosh, Fiona,$$d1959-$$eauthor.
000921720 24510 $$aPerforming epic or telling tales /$$cFiona Macintosh and Justine McConnell.
000921720 250__ $$aFirst edition.
000921720 264_1 $$aOxford :$$bOxford University Press,$$c2020.
000921720 300__ $$a1 online resource :$$billustrations.
000921720 336__ $$atext$$2rdacontent
000921720 336__ $$astill image$$2rdacontent
000921720 337__ $$acomputer$$2rdamedia
000921720 338__ $$aonline resource$$2rdacarrier
000921720 4901_ $$aOxford scholarship online
000921720 504__ $$aIncludes bibliographical references and index.
000921720 506__ $$aAccess limited to authorized users.
000921720 5208_ $$aFrom spoken word to ballet, ancient Greek and Roman epics regularly provide both the subjects and the form for emergent and seasoned theatre makers. This volume examines the 'why' of this epic turn, exploring not only the translation and scholarly histories of the epics, but also earlier performance traditions and recent theoretical debates.
000921720 521__ $$aSpecialized.
000921720 588__ $$aDescription based on online resource; title from home page (viewed on January 14, 2020).
000921720 650_0 $$aDramatic criticism.
000921720 650_0 $$aTheater.
000921720 7001_ $$aMcConnell, Justine,$$eauthor.
000921720 77608 $$iPrint version: $$z9780198846581
000921720 830_0 $$aOxford scholarship online.
000921720 85280 $$bebk$$hOxford Scholarship Online
000921720 85640 $$3Oxford scholarship online$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oso/9780198846581.001.0001$$zOnline Access
000921720 909CO $$ooai:library.usi.edu:921720$$pGLOBAL_SET
000921720 980__ $$aEBOOK
000921720 980__ $$aBIB
000921720 982__ $$aEbook
000921720 983__ $$aOnline