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The extended theory of cognitive creativity : interdisciplinary approaches to performativity / Antonino Pennisi, Alessandra Falzone, editors.

Pennisi, Antonino, 1954- editor.; Falzone, Alessandra, editor.
2020
B828.47
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Title
The extended theory of cognitive creativity : interdisciplinary approaches to performativity / Antonino Pennisi, Alessandra Falzone, editors.
ISBN
9783030220907 (electronic book)
3030220907 (electronic book)
9783030220891
DOI
https://doi.org/10.1007/978-3-030-22090-7
Published
Cham, Switzerland : Springer, [2020]
Language
English
Description
1 online resource (vii, 358 pages) : illustrations.
Item Number
10.1007/978-3-030-22090-7 doi
Call Number
B828.47
Dewey Decimal Classification
121.68
401.45
Summary
This edited volume focuses on the hypothesis that performativity is not a property confined to certain specific human skills, or to certain specific acts of language, nor an accidental enrichment due to creative intelligence. Instead, the executive and motor component of cognitive behavior should be considered an intrinsic part of the physiological functioning of the mind, and as endowed with self-generative power. Performativity, in this theoretical context, can be defined as a constituent component of cognitive processes. The material action allowing us to interact with reality is both the means by which the subject knows the surrounding world and one through which he experiments with the possibilities of his body. This proposal is rooted in models now widely accepted in the philosophy of mind and language; in fact, it focuses on a space of awareness that is not in the individual, or outside it, but is determined by the species-specific ways in which the body acts on the world. This theoretical hypothesis will be pursued through the latest interdisciplinary methodology typical of cognitive science, that coincide with the five sections in which the book is organized: Embodied, enactivist, philosophical approaches; Aesthetics approaches; Naturalistic and evolutionary approaches; Neuroscientific approaches; Linguistics approaches. This book is intended for: linguists, philosophers, psychologists, cognitive scientists, scholars of art and aesthetics, performing artists, researchers in embodied cognition, especially enactivists and students of the extended mind.
Bibliography, etc. Note
Includes bibliographical references.
Access Note
Access limited to authorized users.
Source of Description
Online resource; title from PDF title page (SpringerLink, viewed October 3, 2019).
Added Author
Pennisi, Antonino, 1954- editor.
Falzone, Alessandra, editor.
Series
Perspectives in pragmatics, philosophy & psychology ; v. 23.
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Introduction
Dimensions of the bodily creativity. For an extended theory of performativity; Antonio Pennisi
Part I: Embodied, enactivist, philosophical approaches
Mindful performance; Shaun Gallagher
A radical enactivist approach to social cognition; Claudio Paolucci
On the nature of bodies. With the help of Aristotle; Franco Lo Piparo
The silent work of speech. On an Enactive grammar's insight; Francesco La Mantia
Part II: Extended theory approaches
Collective Action in the Wild; Mathew D. McCubbins, Mark Turner
Moderate mindreading priority; Pietro Perconti
Performativity and the Spread Mind: The Case of Color Afterimages; Riccardo Manzotti
Performativity and the ideological construction of the self. The age of narcissism and (possibly) beyond; Marco Mazzone
Part III: Aesthetics approaches
A bodily take on Aesthetics: Performativity and Embodied Simulation; Vittorio Gallese
Imagination, Performativity, Technics. A (Post)Kantian Approach; Pietro Montani
Implications of Creativity: A New Experiential Paradigm for an Aesthetics of the Extended Mind? Giovanni Matteucci
A Short Survey on Oral Poetry as Ritual Performance. The Sicilian Cunto as Case Study; Dario Tomasello
Part IV: Naturalistic and evolutionary approaches
Biological individuality
a complex pattern of distributed uniqueness; Alessandro Minelli
Aspects of the debate on animal communication. Amongst (zoo) semiotic and cognitive ethology; Stefano Gensini
Language evolution: from function to performativity; Alessandra Falzone
The contribution of biolinguistics to the debate of performativity; Laura Giallongo
Media, ecologies and performance within socio-political dynamics. A sociological perspective; Rolando Marini
Part V: Neuroscientific approaches
It doesn't seem_it, but it is. a neurofilmological approach to the subjective experience of moving-image time; Ruggero Eugeni, Stefania Balzarotti, Federica Cavaletti, Adriano D'Aloia
Neuromodulation and neural circuit performativity: adequacy conditions for their computational modelling; Guglielmo Tamburrini, Roberto Prevete
Neural Representations in Context; Alessio Plebe, Vivian De La Cruz
Part VI: Linguistics approaches
First person implicit indirect reports; Alessandro Capone
Performance of understanding. Pragmatics and Fast and Frugal heuristics; Marco Carapezza
Happiness and unhappiness of performative acts: acquisition of L2 and psychopathological behaviors; Paola Pennisi
Interpreting irony meaning: towards a new psycholinguistic model of ironic language comprehension; Caterina Scianna.

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