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000925148 001__ 925148
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000925148 010__ $$a  2019029181
000925148 019__ $$a1099688276
000925148 020__ $$a9780691198323$$q(hardcover)
000925148 020__ $$a0691198322$$q(hardcover)
000925148 035__ $$a(OCoLC)on1108816930
000925148 035__ $$a925148
000925148 040__ $$aPUL$$beng$$erda$$cPUL$$dOCLCO$$dMUO$$dORZ
000925148 042__ $$apcc
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000925148 049__ $$aISEA
000925148 05000 $$aND623.A5395$$bC65 2019
000925148 08200 $$a759.5$$223
000925148 1001_ $$aCole, Michael Wayne,$$d1969-$$eauthor.
000925148 24510 $$aSofonisba's lesson :$$ba Renaissance artist and her work /$$cMichael W. Cole.
000925148 264_1 $$aPrinceton :$$bPrinceton University Press,$$c[2019]
000925148 300__ $$a307 pages :$$bcolor illustrations ;$$c25 cm
000925148 336__ $$atext$$btxt$$2rdacontent
000925148 337__ $$aunmediated$$bn$$2rdamedia
000925148 338__ $$avolume$$bnc$$2rdacarrier
000925148 504__ $$aIncludes bibliographical references (pages 274-300) and index.
000925148 5050_ $$a"In the presence of her father" -- "The most affectionate disciple" -- The image of learnedness -- The image of teaching -- Spain -- Painting and the education of daughters.
000925148 520__ $$a"Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works"--$$cProvided by publisher.
000925148 60010 $$aAnguissola, Sofonisba,$$dapproximately 1532 or 1533-1625$$xCriticism and interpretation.
000925148 60010 $$aAnguissola, Sofonisba,$$dapproximately 1532 or 1533-1625$$vCatalogues raisonnés.
000925148 650_0 $$aWomen painters$$xSocial networks$$zItaly.
000925148 85200 $$bgen$$hND623.A5395$$iC65$$i2019
000925148 909CO $$ooai:library.usi.edu:925148$$pGLOBAL_SET
000925148 980__ $$aBIB
000925148 980__ $$aBOOK