000925156 000__ 02447cam\a2200337\i\4500
000925156 001__ 925156
000925156 005__ 20210515191006.0
000925156 008__ 190329t20192019enkaf\\\\b\\\\001\0\eng\\
000925156 010__ $$a  2019014540
000925156 020__ $$a9781108474658$$q(hardcover)
000925156 020__ $$a1108474659$$q(hardcover)
000925156 020__ $$z9781108666121$$q(electronic book)
000925156 035__ $$a(OCoLC)on1098230527
000925156 035__ $$a925156
000925156 040__ $$aDGU/DLC$$beng$$erda$$cDLC$$dYDX$$dOCLCF$$dERASA$$dOCLCQ$$dUKMGB$$dMYA$$dYDX$$dOCL$$dYUS$$dMNN$$dPUL
000925156 042__ $$apcc
000925156 049__ $$aISEA
000925156 05000 $$aN6260$$b.S56 2019
000925156 08200 $$a709.17/67$$223
000925156 1001_ $$aShaw, Wendy M. K.,$$d1970-$$eauthor.
000925156 24510 $$aWhat is "Islamic" art? :$$bbetween religion and perception /$$cWendy M.K. Shaw.
000925156 264_1 $$aCambridge, United Kingdom :$$bCambridge University Press,$$c2019.
000925156 300__ $$axix, 366 pages, 16 unnumbered pages of plates :$$billustrations ;$$c26 cm
000925156 336__ $$atext$$btxt$$2rdacontent
000925156 337__ $$aunmediated$$bn$$2rdamedia
000925156 338__ $$avolume$$bnc$$2rdacarrier
000925156 504__ $$aIncludes bibliographical references and index.
000925156 5050_ $$aIntroduction : from Islamic art to perceptual culture -- The Islamic image -- Seeing with the ear -- The insufficient image -- Seeing with the heart -- Seeing through the mirror -- Deceiving deception -- The transcendent image -- The transgressive image -- Mimetic geometries -- Perspectives on perspective -- Conclusion : out of perspective.
000925156 520__ $$a"Revealing what is 'Islamic' in Islamic art, Shaw explores the perception of arts, including painting, music, and geometry through the discursive sphere of historical Islam including the Qur'an, Hadith, Sufism, ancient philosophy, and poetry. Emphasis on the experience of reception over the context of production enables a new approach, not only to Islam and its arts, but also as a decolonizing model for global approaches to art history. Shaw combines a concise introduction to Islamic intellectual history with a critique of the modern, secular, and European premises of disciplinary art history. Her meticulous interpretations of intertextual themes span antique philosophies, core religious and theological texts, and prominent prose and poetry in Arabic, Persian, Turkish, and Urdu that circulated across regions of Islamic hegemony from the eleventh century to the colonial and post-colonial contexts of the modern Middle East." --$$cProvided by publisher.
000925156 650_0 $$aIslamic art.
000925156 650_0 $$aReligion in art.
000925156 85200 $$bgen$$hN6260$$i.S56$$i2019
000925156 909CO $$ooai:library.usi.edu:925156$$pGLOBAL_SET
000925156 980__ $$aBIB
000925156 980__ $$aBOOK