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000925600 020__ $$a9780190859664$$q(electronic book)
000925600 035__ $$a(StDuBDS)EDZ0002188567
000925600 035__ $$a925600
000925600 040__ $$aStDuBDS$$beng$$erda$$epn$$cStDuBDS
000925600 050_4 $$aML3798
000925600 08204 $$a780.89$$223
000925600 24504 $$aThe Oxford handbook of economic ethnomusicology /$$cedited by Anna Morcom and Timothy D. Taylor.
000925600 24630 $$aEconomic ethnomusicology
000925600 264_1 $$aNew York :$$bOxford University Press,$$c2020.
000925600 300__ $$aonline resource.
000925600 336__ $$atext$$2rdacontent
000925600 337__ $$acomputer$$2rdamedia
000925600 338__ $$aonline resource$$2rdacarrier
000925600 4901_ $$aOxford handbooks online
000925600 504__ $$aIncludes bibliographical references.
000925600 50500 $$tMaintenance and Destruction of an East Side Los Angeles Indie Rock Scene /$$rTimothy D. Taylor --$$tMusic, Exchange, and the Production of Value: A Case Study of Hindustani Music /$$rAnna Morcom --$$tThe Value of Music in Melanesia: Creation, Circulation, and Transmission Under Changing Economic and Intellectual Property Conditions /$$rMonika Stern, James Leach.
000925600 506__ $$aAccess limited to authorized users.
000925600 588__ $$aDescription based on online resource; title from home page (viewed on February 27, 2020).
000925600 650_0 $$aEthnomusicology.
000925600 650_0 $$aMusic$$xEconomic aspects.
000925600 77608 $$iPrint version:$$z9780190859633
000925600 830_0 $$aOxford handbooks.
000925600 85280 $$bebk$$hOxford Handbooks Online
000925600 85640 $$3Oxford handbooks online$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oxfordhb/9780190859633.001.0001$$zOnline Access
000925600 909CO $$ooai:library.usi.edu:925600$$pGLOBAL_SET
000925600 980__ $$aEBOOK
000925600 980__ $$aBIB
000925600 982__ $$aEbook
000925600 983__ $$aOnline