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000925602 020__ $$a9780190498801$$q(electronic book)
000925602 035__ $$a(StDuBDS)EDZ0002188558
000925602 035__ $$a925602
000925602 040__ $$aStDuBDS$$beng$$erda$$epn$$cStDuBDS
000925602 050_0 $$aPR3034$$b.O94 2020
000925602 08204 $$a822.33$$223
000925602 24504 $$aThe Oxford handbook of Shakespeare and dance /$$cedited by Lynsey McCulloch and Brandon Shaw.
000925602 264_1 $$aNew York :$$bOxford University Press,$$c2020.
000925602 300__ $$a1 online resource (xiv, 615 pages) :$$billustrations.
000925602 336__ $$atext$$2rdacontent
000925602 336__ $$astill image$$2rdacontent
000925602 337__ $$acomputer$$2rdamedia
000925602 338__ $$aonline resource$$2rdacarrier
000925602 4901_ $$aOxford handbooks online
000925602 500__ $$aPrevious edition issued in print: 2019.
000925602 504__ $$aIncludes bibliographical references and index.
000925602 50500 $$tDecoding Dance in Shakespeare's Much Ado About Nothing and Twelfth Night /$$rNona Monahin -- /$$rFlorence Hazrat --$$t[They Dance]: Collaborative Authorship and Dance in Macbeth /$$rSeth Stewart Williams --$$tDance in the Broadway Musicals of Shakespeare: Balanchine, Holms, and Robbins /$$rRay Miller --$$tShakespeare, Modernism and Dance /$$rSusan Jones -- /$$rElinor Parsons -- /$$rLynsey McCulloch -- /$$rAmy Rodgers --$$tMeasure in Everything: Adapting Hamlet to the Contemporary Dance Stage /$$rElizabeth Klett --$$tShakespeare and L.O.V.E: Dance and Desire in the Sonnets /$$rJames Hewison -- /$$rEmily Winerock --$$t"A delightful measure or a dance": Synetic Theatre and Physical Shakespeare /$$rSheila T. Cavanagh --$$tHamlet, the Ballet: Examining a Choreographic Process /$$rJo Butterworth --$$tIncorporating the Text: John Farmanesh-Bocca's Pericles Redux and Crystal Pite's The Tempest Replica /$$rLinda McJannet --$$tHaunted by Hamlet: William Forsythe's Sider /$$rFreya Vass-Rhee --$$tEmbodiment, Reciprocity, and Reception: Shakespeare Adaptations in a Black Atlantic Context /$$rAnn E. Mazzocca, Denise Gillman --$$tDancing her Death: Dada Masilo's The Bitter End of Rosemary (2011) as a South African Contemporary Rethinking of Hamlet's Ophelia /$$rKathrina Farrugia-Kriel --$$tShakespeare Ballets in Germany: from Jean-Georges Noverre to John Neumeier /$$rJulia Bührle --$$tPart I Introduction /$$rJennifer Nevile --$$t"When the play is done, you shall have a Jig or dance of all treads": Danced Endings on Shakespeare's Stage /$$rRoger Clegg --$$tPart II Introduction /$$rMargaret Jane Kidnie --$$tINTRODUCTION /$$rLynsey McCulloch, Brandon Shaw --$$t"The revellers are entering": Shakespeare and masquing practice in Tudor and Stuart England /$$rAnne Daye --$$tThe Merchant of Venice's Missing Masque: Absence, Touch, and Religious Residues /$$rLizzie Leopold --$$tWe Are All Made: The Socioeconomics of The Two Noble Kinsmen's Anti-Masque Morris Dance /$$rJohn R. Ziegler --$$tDancing with the Archive: Early Dance for Shakespearean Adaptation /$$rEvelyn O'Malley --$$tDancing with Perdita: The Choreography of Lost Time in The Winter's Tale /$$rSteven Swarbrick --$$tShakespeare's Dancing Bodies: The Case of Romeo /$$rBrandon Shaw.
000925602 506__ $$aAccess limited to authorized users.
000925602 588__ $$aDescription based on print version record.
000925602 60010 $$aShakespeare, William,$$d1564-1616$$xKnowledge$$xDance.
000925602 60010 $$aShakespeare, William,$$d1564-1616$$xDramatic production.
000925602 650_0 $$aDance in literature.
000925602 7001_ $$aMcCulloch, Lynsey,$$d1974-$$eeditor.
000925602 7001_ $$aShaw, Brandon,$$d1975-$$eeditor.
000925602 77608 $$iPrint version:$$z9780190498788
000925602 830_0 $$aOxford handbooks.
000925602 85280 $$bebk$$hOxford Handbooks Online
000925602 85640 $$3Oxford handbooks online$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oxfordhb/9780190498788.001.0001$$Online Access
000925602 909CO $$ooai:library.usi.edu:925602$$pGLOBAL_SET
000925602 980__ $$aEBOOK
000925602 980__ $$aBIB
000925602 982__ $$aEbook
000925602 983__ $$aOnline