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000928372 001__ 928372
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000928372 020__ $$a9781952119101 $$q(electronic book)
000928372 020__ $$a1952119103 $$q(electronic book)
000928372 020__ $$z1944211845
000928372 020__ $$z9781944211844
000928372 035__ $$a(NhCcYBP)EBC6154802
000928372 040__ $$aNhCcYBP$$cNhCcYBP
000928372 043__ $$an-us---
000928372 050_4 $$aN6537.M3716$$bA4 2020
000928372 08204 $$a973.00496073$$223
000928372 24500 $$aBlack imagination /$$ccurated by Natasha Marin.
000928372 264_1 $$aSan Francisco :$$bMcSweeney's,$$c[2020]
000928372 264_4 $$c©2020
000928372 300__ $$a1 online resource (225 pages)
000928372 336__ $$atext$$btxt$$2rdacontent
000928372 337__ $$acomputer$$bc$$2rdamedia
000928372 338__ $$aonline resource$$bcr$$2rdacarrier
000928372 500__ $$aBased on a community-based, ongoing, non-visual conceptual art exhibition/experience the first iteration of which was performed at the CORE Gallery in Seattle in January 2018. "Instead of the visual arts exhibition many were expecting, upon arrival, blindfolded guests entered a pitch-black space, and docent Ayanna Hobson - a nationally recorded vocalist - led them through a sonic web of the collected voiced combined wirth her own exquisitely beautiful one." --Page 12. Explains the artist-curator Natasha Marin: ""Black people are not experiencing the black imagination,. Our lives have been colonized by white imagination.'We are like pawns in the white imagination, whereas in the black imagination we are creators, we're gods, we can invent entire worlds, universes, philosophies, ways of relating to one another. We can explore us,' she said. That exploration is at the center of 'Black Imagination: The States of Matter,' a multimedia arts exploration curated by Marin and fellow artists Imani Sims, Rachael Ferguson and Amber Flame. The exhibit features the work of dozens of black-identified creative people working across disciplines. The participants were asked three questions that form the seeds from which 'Black Imagination' blooms: What is your origin story? How do you heal yourself? Describe or imagine a world where you are safe, valued and loved." --Adapted from book text and artist statement in the Seattle Globalist.
000928372 506__ $$aAccess limited to authorized users
000928372 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
000928372 588__ $$aDescription based on print version record.
000928372 650_0 $$aBlacks$$xRace identity$$xIn art.
000928372 650_0 $$aAfrican Americans$$xRace identity$$xIn art.
000928372 650_0 $$aAfrican Americans$$xPsychology$$xIn art.
000928372 650_0 $$aAfrican Americans$$xIntellectual life$$xIn art.
000928372 650_0 $$aAfrican Americans$$vBiography$$xIn art.
000928372 650_0 $$aAfrican Americans$$vQuotations$$xIn art.
000928372 650_0 $$aImagination$$xIn art.
000928372 650_0 $$aHealing in art.
000928372 650_0 $$aArtists and community$$zUnited States$$y21st century.
000928372 650_0 $$aConceptual art$$zUnited States$$y21st century.
000928372 7001_ $$aMarin, Natasha,$$ecurator,$$eartist,$$econceptor.
000928372 7102_ $$aProQuest (Firm)
000928372 7400_ $$aBlack Imagination: The States of Matter.
000928372 77608 $$iPrint version:$$z1944211845$$z9781944211844
000928372 852__ $$bebk
000928372 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=6154802$$zOnline Access
000928372 909CO $$ooai:library.usi.edu:928372$$pGLOBAL_SET
000928372 980__ $$aEBOOK
000928372 980__ $$aBIB
000928372 982__ $$aEbook
000928372 983__ $$aOnline