000928701 000__ 03220cam\a2200481Ii\4500 000928701 001__ 928701 000928701 005__ 20230306151311.0 000928701 006__ m\\\\\o\\d\\\\\\\\ 000928701 007__ cr\cn\nnnunnun 000928701 008__ 200215s2020\\\\sz\a\\\\ob\\\\001\0\eng\d 000928701 020__ $$a3030389308$$q(electronic book) 000928701 020__ $$a9783030389307$$q(electronic book) 000928701 020__ $$z9783030389291 000928701 035__ $$aSP(OCoLC)on1140790259 000928701 035__ $$aSP(OCoLC)1140790259 000928701 040__ $$aEBLCP$$beng$$erda$$cEBLCP$$dGW5XE$$dESU$$dYDXIT$$dOCLCF$$dN$T$$dUKMGB 000928701 049__ $$aISEA 000928701 050_4 $$aML74$$b.W45 2020 000928701 08204 $$a780.28563$$223 000928701 1001_ $$aWeinberg, Gil,$$eauthor. 000928701 24510 $$aRobotic musicianship :$$bembodied artificial creativity and mechatronic musical expression /$$cGil Weinberg, Mason Bretan, Guy Hoffman, Scott Driscoll. 000928701 264_1 $$aCham, Switzerland :$$bSpringer,$$c[2020] 000928701 300__ $$a1 online resource (xvii, 256 pages). 000928701 336__ $$atext$$btxt$$2rdacontent 000928701 337__ $$acomputer$$bc$$2rdamedia 000928701 338__ $$aonline resource$$bcr$$2rdacarrier 000928701 4901_ $$aAutomation, Collaboration, and E-Services ;$$vvolume 8 000928701 504__ $$aIncludes bibliographical references and index. 000928701 506__ $$aAccess limited to authorized users. 000928701 520__ $$aThis book discusses the principles, methodologies, and challenges of robotic musicianship through an in-depth review of the work conducted at the Georgia Tech Center for Music Technology (GTCMT), where the concept was first developed. Robotic musicianship is a relatively new research field that focuses on the design and development of intelligent music-making machines. The motivation behind the field is to develop robots that not only generate music, but also collaborate with humans by listening and responding in an expressive and creative manner. This combination of human and machine creativity has the potential to surprise and inspire us to play, listen, compose, and think about music in new ways. The book provides an in-depth view of the robotic platforms designed at the GTCMT Robotic Musicianship Group, including the improvisational robotic percussionists Haile and Shimon, the personal robotic companion Shimi, and a number of wearable robots, such as the Robotic Drumming Prosthesis, The Third Drumming Arm, and the Skywalker Piano Hand. The book discusses numerous research studies based on these platforms in the context of five main principles: Listen like a Human, Play Like a Machine, Be Social, Watch and Learn, and Wear It. 000928701 588__ $$aDescription based on online resource; title from digital title page (viewed on March 04, 2020). 000928701 650_0 $$aArtificial intelligence$$xMusical applications. 000928701 650_0 $$aComputer music. 000928701 650_0 $$aRobots. 000928701 7001_ $$aBretan, Mason,$$eauthor. 000928701 7001_ $$aHoffman, Guy,$$eauthor. 000928701 7001_ $$aDriscoll, Scott,$$eauthor. 000928701 77608 $$iPrint version:$$aWeinberg, Gil$$tRobotic Musicianship : Embodied Artificial Creativity and Mechatronic Musical Expression$$dCham : Springer,c2020$$z9783030389291 000928701 830_0 $$aAutomation, collaboration, & e-services. 000928701 852__ $$bebk 000928701 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-38930-7$$zOnline Access$$91397441.1 000928701 909CO $$ooai:library.usi.edu:928701$$pGLOBAL_SET 000928701 980__ $$aEBOOK 000928701 980__ $$aBIB 000928701 982__ $$aEbook 000928701 983__ $$aOnline 000928701 994__ $$a92$$bISE