000929270 000__ 02324cam\a2200373\i\4500 000929270 001__ 929270 000929270 005__ 20210515192123.0 000929270 006__ m\\\\\o\\d\\\\\\\\ 000929270 007__ cr\un\nnnunnun 000929270 008__ 200309s2020\\\\nyua\\\\ob\\\\001\0\eng\d 000929270 020__ $$a9780190949747 $$q(electronic book) 000929270 035__ $$a(StDuBDS)EDZ0002205436 000929270 040__ $$aStDuBDS$$beng$$cStDuBDS$$erda$$epn 000929270 050_0 $$aPN1995.9.E96$$bS475 2020 000929270 08204 $$a791.43684$$223 000929270 1001_ $$aSheehan, Rebecca,$$d1979-$$eauthor. 000929270 24510 $$aAmerican avant-garde cinema's philosophy of the in-between /$$cRebecca A. Sheehan. 000929270 264_1 $$aNew York :$$bOxford University Press,$$c2020. 000929270 300__ $$a1 online resource (296 pages) :$$billustrations. 000929270 336__ $$atext$$2rdacontent 000929270 336__ $$astill image$$2rdacontent 000929270 337__ $$acomputer$$2rdamedia 000929270 338__ $$aonline resource$$2rdacarrier 000929270 4901_ $$aOxford scholarship online 000929270 504__ $$aIncludes bibliographical references and index. 000929270 506__ $$aAccess limited to authorized users. 000929270 5208_ $$aCan films philosophize rather than simply represent philosophical ideas developed outside the cinematic medium? Taking up this question crucial to the field of film-philosophy, this book argues that the films of the American avant-garde indeed "do" philosophy, and it illuminates the ethical and political stakes of their aesthetic interventions. The author traces the avant-garde's philosophy by developing a history and theory of its investment in dimensional, conceptual, and material in-betweens, clarifying how reflections on the creation and reception of images construct an ethics of perception itself. This entails the avant-garde's locating of cinema's - and thought's - ends or meanings in their means, and their advancement of an image of truth that is made rather than found, that unites with the philosophies of Ludwig Wittgenstein and Ralph Waldo Emerson. 000929270 588__ $$aDescription based on online resource; title from home page (viewed on March 30, 2020). 000929270 650_0 $$aExperimental films$$zUnited States$$xHistory and criticism. 000929270 77608 $$iPrint version: $$z9780190949709 000929270 830_0 $$aOxford scholarship online. 000929270 85280 $$bebk$$hOxford Scholarship Online 000929270 85640 $$3Oxford scholarship online$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oso/9780190949709.001.0001$$zOnline Access 000929270 909CO $$ooai:library.usi.edu:929270$$pGLOBAL_SET 000929270 980__ $$aEBOOK 000929270 980__ $$aBIB 000929270 982__ $$aEbook 000929270 983__ $$aOnline