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Affects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation
Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices
Genre. Or, Simple Stories? Affective Incisions in Akın's The Cut and Ari Kaurismäki's Refugee Trilogy
Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World
Epilogue: Reconfiguring Resistance.

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