000930752 000__ 03345cam\a2200505\i\4500 000930752 001__ 930752 000930752 005__ 20210515192611.0 000930752 006__ m\\\\\o\\d\\\\\\\\ 000930752 007__ cr\cn\nnnunnun 000930752 008__ 190628t20202020ncua\\\\ob\\\\001\0\eng\d 000930752 010__ $$a 2019027310 000930752 020__ $$a1478009128$$q(electronic book) 000930752 020__ $$a9781478009122$$q(electronic book) 000930752 020__ $$z9781478006800 000930752 020__ $$z9781478008149 000930752 020__ $$z1478006803 000930752 020__ $$z1478008148 000930752 035__ $$a(DLC)EBC6130870 000930752 040__ $$aNhCcYBP$$cNhCcYBP 000930752 042__ $$apcc 000930752 050_4 $$aML3916$$b.P58 2020 000930752 08200 $$a781.3/6$$223 000930752 24500 $$aPlaying for keeps :$$bimprovisation in the aftermath /$$cDaniel Fischlin and Eric Porter, editors. 000930752 264_1 $$aDurham :$$bDuke University Press,$$c2020. 000930752 264_4 $$c©2020 000930752 300__ $$a1 online resource (x, 336 pages) 000930752 336__ $$atext$$btxt$$2rdacontent 000930752 337__ $$acomputer$$bc$$2rdamedia 000930752 338__ $$aonline resource$$bcr$$2rdacarrier 000930752 4901_ $$aImprovisation, community, and social practice 000930752 504__ $$aIncludes bibliographical references and index. 000930752 5050_ $$aManifesto / Matana Roberts -- The Exhibition of Vandalizim : Improvising Healing, Politics, and Film in South Africa / Stephanie Vos -- The Rigors of Afro/Canarian Jazz : Sounding Peripheral Vision with Severed Tongues / Mark Lomanno -- "Opening Up a Space that Maybe Wouldn't Exist Otherwise" / Holding It Down in the Aftermath / Vijay Iyer, in conversation with Daniel Fischlin and Eric Porter -- Experimental and Improvised Norths : The Sonic Geographies of Tanya Tagaq's Collaborations with Derek Charke and the Kronos Quartet / Kate Galloway -- Nina Simone: CIVIL JAZZ! / Randy DuBurke -- Free Improvised Music in Postwar Beirut : Differential Sounds, Intersectarian Collaborations, and Critical Collective Memory / Rana El Kadi -- Street Concerts and Sexual Harassment in Post-Mubarak Egypt: Ṭarab as Affective Politics / Darci Sprengel -- Improvisation, Grounded Humanity, and Witnessing in Palestine : An Interview with Al Mada's Odeh Turjman and Reem Abdul Hadi-Hadi / Daniel Fischlin -- "Silsulim" (Improvised "Curls") in the Vocal Performance of Israeli Popular Music: Identity, Power, and Politics / Moshe Morad -- Three Moments in Ki Ho'alu (Hawaiian Slack Key Guitar) : Improvising as a Kanaka Maoli (Native Hawaiian) Adaptive Strategy / Kevin Fellezs -- From Pre-Peace to Post-Conflict : The Ethics of (Non- ) Listening and Cocreation in a Divided Society / Sara Ramshaw and Paul Stapleton. 000930752 506__ $$aAccess limited to authorized users 000930752 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 000930752 588__ $$aOnline resource; title from digital title page (viewed on April 14, 2020). 000930752 650_0 $$aImprovisation (Music)$$xPolitical aspects. 000930752 650_0 $$aImprovisation (Music)$$xSocial aspects. 000930752 7001_ $$aFischlin, Daniel,$$eeditor. 000930752 7001_ $$aPorter, Eric,$$d1962-$$eeditor. 000930752 7102_ $$aProQuest (Firm) 000930752 77608 $$iPrint version:$$tPlaying for keeps.$$dDurham : Duke University Press, 2020$$z9781478006800$$w(DLC) 2019027309 000930752 830_0 $$aImprovisation, community, and social practice. 000930752 852__ $$bebk 000930752 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=6130870$$zOnline Access 000930752 909CO $$ooai:library.usi.edu:930752$$pGLOBAL_SET 000930752 980__ $$aEBOOK 000930752 980__ $$aBIB 000930752 982__ $$aEbook 000930752 983__ $$aOnline