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000930859 020__ $$a9780199984183$$q(electronic book)
000930859 035__ $$a(StDuBDS)EDZ0001325762
000930859 035__ $$a930859
000930859 040__ $$aStDuBDS$$beng$$erda$$epn$$cStDuBDS
000930859 050_4 $$aML3920$$b.O94 2015eb
000930859 08204 $$a303.376$$223
000930859 24504 $$aThe Oxford handbook of music censorship /$$cedited by Patricia Hall.
000930859 24630 $$aMusic censorship
000930859 264_1 $$aNew York :$$bOxford University Press,$$c2015-2017.
000930859 300__ $$a1 online resource.
000930859 336__ $$atext$$2rdacontent
000930859 337__ $$acomputer$$2rdamedia
000930859 338__ $$aonline resource$$2rdacarrier
000930859 4901_ $$aOxford handbooks online
000930859 504__ $$aIncludes bibliographical references and index.
000930859 50500 $$tExploring Transitions in Popular Music: Censorship from Apartheid to Post-Apartheid South Africa /$$rMichael Drewett --$$tComposing in Black and White /$$rSandra Jean Graham --$$tIn the Quest of Gallican Remnants in Gregorian Manuscripts /$$rLuisa Nardini --$$tThe English Kyrie /$$rAlejandro Planchart --$$tThe Curious Incident of Fidelio and the Censors /$$rRobin Wallace -- /$$rFrancesco Izzo --$$tAlban Berg's ٢Guilt٣ by Association /$$rPatricia Hall --$$tSlow Dissolves, Full Stops, and Interruptions /$$rMichael Beckerman --$$tPete Seeger's Project /$$rRichard Flacks --$$tPopular Music as a Barometer of Political Change /$$rNancy Guy --$$tGovernment Censorship and Aaron Copland's Lincoln Portrait during the Second Red Scare /$$rJennifer DeLapp-Birkett --$$tMiguel Ángel Estrella (Classical) Music for the People, Dictatorship, and Memory /$$rCarol A. Hess --$$tCurb that Enticing Tone Music Censorship in the PRC /$$rHon-Lun Yang --$$tMicronarratives of music and (self)censorship in the Former Yugoslavia /$$rAna Hofmann --$$tRap Music and Rap Artists Revisited: How Race Matters in the Perception of Rap Music /$$rTravis L. Dixon --$$tDeaths and Silences: Coding and Defiance in Music about AIDS /$$rPaul Attinello --$$tTeaching Silence in the Twenty-First Century: Where are the Missing Women Composers? /$$rRoxane Prevost, Kimberly Francis --$$tIntroduction /$$rPatricia Hall --$$tMusic, Power and Censorship in Vietnam since 1954 /$$rBarley Norton --$$tFrom Premiere to Present /$$rDavid C. Paul -- /$$rGordon Thompson --$$tVeiled Voices: Music and Censorship in Post-Revolutionary Iran /$$rAmeneh Youssefzadeh --$$tThe Sound of Indigenous Ancestors: Music, Corporality, and Memory in the Jesuit Missions of Colonial South America /$$rGuillermo Wilde --$$tHarpocrate at Work: How the God of Silence Protected Eighteenth-Century French Iconoclasts /$$rHedy Law --$$tThe Depoliticized Drama /$$rLaurenz Lütteken --$$tA Strident Silence: The Ban on Wagner in Israel /$$rNa'ama Sheffi --$$tSelling Schnittke /$$rPeter J. Schmelz --$$tSex, Politics, and Censorship in Mozart's Don Giovanni/Don Juan /$$rMartin Nedbal --$$tA Case Study of Brazilian Popular Music and Censorship /$$rThais Lima Nicodemo -- /$$rPauline Fairclough --$$tGovernmental Interference as a Shaping Force in Elizabethan Printed Music /$$rJeremy L. Smith.
000930859 506__ $$aAccess limited to authorized users.
000930859 588__ $$aDescription based on online resource; title from home page (viewed on September 28, 2017).
000930859 650_0 $$aMusic$$xCensorship.
000930859 7001_ $$aHall, Patricia$$q(Patricia Ann),$$eeditor.
000930859 77608 $$iPrint version:$$z9780199733163
000930859 830_0 $$aOxford handbooks.
000930859 85280 $$bebk$$hOxford Handbooks Online
000930859 85640 $$3Oxford handbooks online$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oxfordhb/9780199733163.001.0001$$zOnline Access
000930859 909CO $$ooai:library.usi.edu:930859$$pGLOBAL_SET
000930859 980__ $$aEBOOK
000930859 980__ $$aBIB
000930859 982__ $$aEbook
000930859 983__ $$aOnline