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000930996 020__ $$a9780190054410 $$q(electronic book)
000930996 035__ $$a(StDuBDS)EDZ0002217434
000930996 040__ $$aStDuBDS$$beng$$cStDuBDS$$erda$$epn
000930996 050_4 $$aPN1992.3
000930996 08204 $$a791.45682$$223
000930996 1001_ $$aHowell, Charlotte E.,$$eauthor.
000930996 24510 $$aDivine programming :$$bnegotiating Christianity in American dramatic television production, 1996-2016 /$$cCharlotte E. Howell.
000930996 264_1 $$aNew York :$$bOxford University Press,$$c2020.
000930996 300__ $$a1 online resource (280 pages) :$$billustrations.
000930996 336__ $$atext$$2rdacontent
000930996 336__ $$astill image$$2rdacontent
000930996 337__ $$acomputer$$2rdamedia
000930996 338__ $$aonline resource$$2rdacarrier
000930996 4901_ $$aOxford scholarship online
000930996 504__ $$aIncludes bibliographical references and index.
000930996 506__ $$aAccess limited to authorized users.
000930996 5208_ $$aIn Divine Programming, author Charlotte E. Howell investigates the disconnect between dramatic television narratives of white Christianity and the religion they are meant to represent, focusing on key series including 7th Heaven, Friday Night Lights, Supernatural, Jane the Virgin, and Daredevil.
000930996 588__ $$aDescription based on online resource; title from home page (viewed on April 23, 2020).
000930996 650_0 $$aTelevision plays, American$$xHistory and criticism.
000930996 650_0 $$aChristianity on television.
000930996 77608 $$iPrint version: $$z9780190054373
000930996 830_0 $$aOxford scholarship online.
000930996 85280 $$bebk$$hOxford Scholarship Online
000930996 85640 $$3Oxford scholarship online$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oso/9780190054373.001.0001$$zOnline Access
000930996 909CO $$ooai:library.usi.edu:930996$$pGLOBAL_SET
000930996 980__ $$aEBOOK
000930996 980__ $$aBIB
000930996 982__ $$aEbook
000930996 983__ $$aOnline