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000931408 019__ $$a1150183775$$a1152532107$$a1153166709$$a1153957883$$a1154476129
000931408 020__ $$a9781137546715$$q(electronic book)
000931408 020__ $$a1137546719$$q(electronic book)
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000931408 0248_ $$a10.1057/978-1-137-54
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000931408 050_4 $$aPN1995.9.W4
000931408 08204 $$a791.43/65878$$223
000931408 1001_ $$aFalconer, Pete.
000931408 24510 $$aAfterlife of the Hollywood western /$$cPeter Falconer.
000931408 260__ $$aLondon :$$bPalgrave Macmillan,$$c2020.
000931408 300__ $$a1 online resource
000931408 336__ $$atext$$btxt$$2rdacontent
000931408 337__ $$acomputer$$bc$$2rdamedia
000931408 338__ $$aonline resource$$bcr$$2rdacarrier
000931408 500__ $$aIncludes index.
000931408 5050_ $$aChapter 1: Introduction -- Chapter 2: The rhetoric of genre -- Chapter 3: "Fixing" the Western -- Chapter 4: The Wild West and the Dirty South, or, by their teeth ye shall know them -- Chapter 5: Once upon a time -- Chapter 6: Old men and old movies -- Chapter 7: The Westerns greatest hits -- Chapter 8: Hybrids and transpositions.
000931408 506__ $$aAccess limited to authorized users.
000931408 520__ $$aThis book examines the Western genre in the period since Westerns ceased to be a regular feature of Hollywood filmmaking. For most of the 20th Century, the Western was a major American genre. The production of Westerns decreased in the 1960s and 1970s; by the 1980s, it was apparent that the genre occupied a less prominent position in popular culture. After an extended period as one of the most prolific Hollywood genres, the Western entered its "afterlife". What does it now mean for a Hollywood movie to be a Western, and how does this compare to the ways in which the genre has been understood at other points in its history? This book considers the conditions in which the Western has found itself since the 1980s, the latter-day associations that the genre has acquired and the strategies that more recent Westerns have developed in response to their changed context. Pete Falconer is a lecturer in Film at the University of Bristol, UK. He has published work on the forms and genres of popular cinema (particularly Westerns, but also horror movies and on other aspects of popular culture, including country music).
000931408 650_0 $$aWestern films$$zUnited States$$xHistory and criticism.
000931408 77608 $$iPrint version:$$z1137546700$$z9781137546708$$w(OCoLC)1144878178
000931408 852__ $$bebk
000931408 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-54671-5$$zOnline Access$$91397441.1
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000931408 980__ $$aEBOOK
000931408 980__ $$aBIB
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