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Part I. The Ancient Greek Tradition in Practice and Theory. The Ancient Harmoniai ; The Tonoi ; Alypian Notation
Part II. Mathematical Foundations. Pythagorean Harmonic Ratios from the Octave to the Comma by Continuous Subtraction ; Boethius's Error in the De institutione musica 4.6 ; Aristoxenus's Proof That the Perfect Fourth Is the Sum of Two Tones and a Semitone ; Aristoxenus's Anticipation of the Logarithmic Logic of Musical Cognition ; The Three Mathematical Means in the Theories of Euclid, Boethius, Glarean, and Zarlino ; Guido and the Monochord
Part III. Emerging Theories of the Ecclesiastical Modes. Transposition and the Doctrine of Modal Affinity ; The Misunderstood Confinalis ; Reading the First Quidam of the Alia musica ; The Prologus in tonarium of Bern of Reichenau : A Translation ; Reading Hermannus ; Idealist and Empirical Perspectives in Theories of the Ecclesiastical Modes.

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