000932687 000__ 01579cam\a2200421Ii\4500 000932687 001__ 932687 000932687 005__ 20230306151619.0 000932687 006__ m\\\\\o\\d\\\\\\\\ 000932687 007__ cr\cn\nnnunnun 000932687 008__ 200512s2020\\\\sz\a\\\\o\\\\\000\0\eng\d 000932687 020__ $$a9783030446598$$q(electronic book) 000932687 020__ $$a303044659X$$q(electronic book) 000932687 020__ $$z9783030446581 000932687 0247_ $$a10.1007/978-3-030-44659-8$$2doi 000932687 035__ $$aSP(OCoLC)on1154011371 000932687 035__ $$aSP(OCoLC)1154011371 000932687 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dYDX$$dOCLCF$$dEBLCP 000932687 049__ $$aISEA 000932687 050_4 $$aML3790 000932687 08204 $$a338.4/778149$$223 000932687 24500 $$aPopular music, technology, and the changing media ecosystem :$$bfrom cassettes to stream /$$cedited by Tamas Tofalvy, Emília Barna. 000932687 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2020. 000932687 300__ $$a1 online resource (xix, 258 pages) :$$billustrations. 000932687 336__ $$atext$$btxt$$2rdacontent 000932687 337__ $$acomputer$$bc$$2rdamedia 000932687 338__ $$aonline resource$$bcr$$2rdacarrier 000932687 4901_ $$aPop music, culture and identity 000932687 506__ $$aAccess limited to authorized users. 000932687 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed May 12, 2020). 000932687 650_0 $$aPopular music. 000932687 650_0 $$aSound recording industry. 000932687 7001_ $$aTofalvy, Tamas,$$eeditor. 000932687 7001_ $$aBarna, Emília,$$eeditor. 000932687 830_0 $$aPop music, culture and identity. 000932687 852__ $$bebk 000932687 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-44659-8$$zOnline Access$$91397441.1 000932687 909CO $$ooai:library.usi.edu:932687$$pGLOBAL_SET 000932687 980__ $$aEBOOK 000932687 980__ $$aBIB 000932687 982__ $$aEbook 000932687 983__ $$aOnline 000932687 994__ $$a92$$bISE