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Details
Table of Contents
Intro
Acknowledgements
Contents
Notes on Contributors
List of Figures
Introduction
Contributions
Works Cited
Conversations with the Dead I
Collaborating with the Dead: Adapters as Secret Agents
Works Cited
Adaptation: Drama and Theatre
playing 'the maids': Devising an Adaptation-Collaboration and the Actor's Process
Who?
What?
Parataxis and Visual Dramaturgy
Musicalisation
Irruption of the Real
Physicality
Play with the Density of Signs
Why (This Material and This Ensemble)?
Where? When?
How?
Conclusion
Works Cited
The Not-So-Singular Life of Albert Nobbs
Works Cited
Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage
Works Cited
Adaptation: Literature and Screen
The Alien World of Objects: Stanley Kubrick's The Killing
Works Cited
Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine
Docupoetry
Script Poems
Conclusion
Works Cited
"His world had vanished long before he entered it": Wes Anderson's Homage to Stefan Zweig
Introduction: A World of Yesterday
The Pink Castle: Selections from the Writings of Stefan Zweig, or Anderson's Particular Form of Adaptation
The Lobby Boy and the Concierge
Conclusion
Works Cited
Adaptation: Screen and Politics
Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter/The Rider on the White Horse (1888)
Works Cited
Adapting Hein's Willenbrock: Andreas Dresen and the Legacy of the GDR 'Ensemble' Tradition
Introduction
Willenbrock as Adaptation
The "Ensemble Tradition" and GDR Theatre
The "Ensemble Tradition" and GDR Cinema
The Willenbrock Ensemble in Practice
Conclusion
Works Cited
Adaptation: Screen, Fine Art and Theory
Same Player, Shoot Again: Géla Babluani's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration
Remake and Collaboration
The Transnational Auto-Remake
Remaking 13 (Tzameti)
Indiewood and Transnational Hybridity
Works Cited
Anselm Kiefer's Signature: Or-Adapting God
Works Cited
Adaptation: Television
Adaptation as Arguing with the Past: The Case of Sherlock
References
The Prestige Novelisation of the Contemporary Television Series: David Hewson's The Killing
Introduction
Forbrydelsen as Prestige Television Series?
The Killing as Prestige Novelisation?
Conclusion
Works Cited
Conversations with the Dead II
Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist
Collaborating with the Dead, Playing the Shakespeare Archive
Or, How to Avoid Being Pushed from Our Stools
The Wooster Group Hamlet
Background: The Gielgud/Burton Hamlet
Burton Resummoned
The Silents Now Richard III
Acknowledgements
Contents
Notes on Contributors
List of Figures
Introduction
Contributions
Works Cited
Conversations with the Dead I
Collaborating with the Dead: Adapters as Secret Agents
Works Cited
Adaptation: Drama and Theatre
playing 'the maids': Devising an Adaptation-Collaboration and the Actor's Process
Who?
What?
Parataxis and Visual Dramaturgy
Musicalisation
Irruption of the Real
Physicality
Play with the Density of Signs
Why (This Material and This Ensemble)?
Where? When?
How?
Conclusion
Works Cited
The Not-So-Singular Life of Albert Nobbs
Works Cited
Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage
Works Cited
Adaptation: Literature and Screen
The Alien World of Objects: Stanley Kubrick's The Killing
Works Cited
Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine
Docupoetry
Script Poems
Conclusion
Works Cited
"His world had vanished long before he entered it": Wes Anderson's Homage to Stefan Zweig
Introduction: A World of Yesterday
The Pink Castle: Selections from the Writings of Stefan Zweig, or Anderson's Particular Form of Adaptation
The Lobby Boy and the Concierge
Conclusion
Works Cited
Adaptation: Screen and Politics
Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter/The Rider on the White Horse (1888)
Works Cited
Adapting Hein's Willenbrock: Andreas Dresen and the Legacy of the GDR 'Ensemble' Tradition
Introduction
Willenbrock as Adaptation
The "Ensemble Tradition" and GDR Theatre
The "Ensemble Tradition" and GDR Cinema
The Willenbrock Ensemble in Practice
Conclusion
Works Cited
Adaptation: Screen, Fine Art and Theory
Same Player, Shoot Again: Géla Babluani's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration
Remake and Collaboration
The Transnational Auto-Remake
Remaking 13 (Tzameti)
Indiewood and Transnational Hybridity
Works Cited
Anselm Kiefer's Signature: Or-Adapting God
Works Cited
Adaptation: Television
Adaptation as Arguing with the Past: The Case of Sherlock
References
The Prestige Novelisation of the Contemporary Television Series: David Hewson's The Killing
Introduction
Forbrydelsen as Prestige Television Series?
The Killing as Prestige Novelisation?
Conclusion
Works Cited
Conversations with the Dead II
Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist
Collaborating with the Dead, Playing the Shakespeare Archive
Or, How to Avoid Being Pushed from Our Stools
The Wooster Group Hamlet
Background: The Gielgud/Burton Hamlet
Burton Resummoned
The Silents Now Richard III