Introduction: Nordic noir as adaptation / Linda Badley, Andrew Nestingen and Jaakko Seppälä
Realistic and mythological appropirations of Nordic noir: The cases of Shetland and Ø / Gunhild Agger
Arctic noir on screen: Midnight sun (2016-) as a mix of geopolitical criticism and spectacular, mythical landscapes / Anne Marit Waade
Arctic noir: Revitalizing Sámi culture through film noir / Gunnar Iversen
Law of the land: Shades of Nordic noir in an Arctic western / Kaisa Hiltunen
Revisiting the crime scene: Intermedial translation, adaptation, and novelization of The killing / Jakob Stougaard-Nielson
"Why don't we do television like that in the UK?": Promotional and paratextual strategies in the transnational branding of Nordic noir / Pietari Kääpä
The postman rings yet again / Audun Engelstad
Nordic noir: The broad picture / Luis M. García-Mainar
Anticipating adaptation and tracing the (in)visible: David Lagercrantz' The girl in the spider's web as implicit film script / Maaret Koskinen
After The bridge? adapting Nordic noir success into a viable audiovisual industry in southern Sweden / Olof Hedling
The uncanny valley of the television remake: Äkta Människor and Humans / Mark B. Sandberg
The showrunner's touch: The killing revisited / Lynge Stegger Gemzøe
The style of Nordic noir: Bordertown as a stylistic adaptation of the prototype / Jaakko Seppälä
From Nordic noir to Euro noir: Nordic noir influencing European serial SVoD drama / Kim Toft Hansen
Twilight of the Vikings: Probing warriors, fighting shieldmaidens and noir gloom / Björn Nordfjörd.