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000933005 019__ $$a1155976456
000933005 020__ $$a9783030370589$$q(electronic book)
000933005 020__ $$a3030370585$$q(electronic book)
000933005 020__ $$z9783030370572
000933005 020__ $$z3030370577
000933005 035__ $$aSP(OCoLC)on1155721924
000933005 035__ $$aSP(OCoLC)1155721924$$z(OCoLC)1155976456
000933005 040__ $$aYDX$$beng$$erda$$cYDX$$dGW5XE$$dYDXIT$$dEBLCP
000933005 043__ $$an-us---
000933005 049__ $$aISEA
000933005 050_4 $$aPN1995.9.F54$$bD49 2020
000933005 08204 $$a791.43/6556$$223
000933005 1001_ $$aDeyo, Nathaniel,$$eauthor.
000933005 24510 $$aFilm noir and the possibilities of Hollywood /$$cNathaniel Deyo.
000933005 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2020]
000933005 300__ $$a1 online resource (xii, 213 pages) :$$billustrations
000933005 336__ $$atext$$btxt$$2rdacontent
000933005 337__ $$acomputer$$bc$$2rdamedia
000933005 338__ $$aonline resource$$bcr$$2rdacarrier
000933005 4901_ $$aPalgrave close readings in film and television
000933005 504__ $$aIncludes bibligraphical references and index.
000933005 506__ $$aAccess limited to authorized users.
000933005 588__ $$aDescription based on online resource; title from digital title page (viewed on June 09, 2020).
000933005 650_0 $$aFilm noir$$zUnited States$$xHistory and criticism.
000933005 77608 $$iPrint version: $$z3030370577$$z9783030370572$$w(OCoLC)1127306017
000933005 830_0 $$aPalgrave close readings in film and television.
000933005 852__ $$bebk
000933005 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-37058-9$$zOnline Access$$91397441.1
000933005 909CO $$ooai:library.usi.edu:933005$$pGLOBAL_SET
000933005 980__ $$aEBOOK
000933005 980__ $$aBIB
000933005 982__ $$aEbook
000933005 983__ $$aOnline
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