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Dominic Dromgoole's The changeling (2015) : social division and anamorphic vision
Dominic Dromgoole's The tempest (2016) : labour, technology and the gender of theatrical magic
Stanislavski in the closet : Joe Hill-Gibbins' Edward II (National Theatre, 2013)
'Tech-enabled' theatre at the RSC : digital performance and Gregory Doran's Tempest (RSC, 2016)
Hamlet in parts : Robin Lough's RSC live cinema broadcast of Simon Godwin's Hamlet (8 June 2016)
Offstage dynamics and the virtual public sphere in Cheek by jowl's live stream of Measure for measure (2015)
Concluding most obscenely: Offstage technophelias.

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