000938151 000__ 03152cam\a2200517Ia\4500
000938151 001__ 938151
000938151 005__ 20230306151746.0
000938151 006__ m\\\\\o\\d\\\\\\\\
000938151 007__ cr\un\nnnunnun
000938151 008__ 200710s2020\\\\sz\\\\\\ob\\\\001\0\eng\d
000938151 019__ $$a1164495359$$a1178999567$$a1182454191$$a1182922655$$a1183937148
000938151 020__ $$a9783030478339$$q(electronic book)
000938151 020__ $$a3030478335$$q(electronic book)
000938151 020__ $$z3030478327
000938151 020__ $$z9783030478322
000938151 0248_ $$a10.1007/978-3-030-47
000938151 035__ $$aSP(OCoLC)on1163944244
000938151 035__ $$aSP(OCoLC)1163944244$$z(OCoLC)1164495359$$z(OCoLC)1178999567$$z(OCoLC)1182454191$$z(OCoLC)1182922655$$z(OCoLC)1183937148
000938151 040__ $$aYDX$$beng$$cYDX$$dEBLCP$$dGW5XE$$dLQU$$dYDXIT
000938151 049__ $$aISEA
000938151 050_4 $$aM1473$$b.M39 2020
000938151 050_4 $$aML1380
000938151 08204 $$a780.285$$223
000938151 08204 $$a781.3/4$$223
000938151 1001_ $$aMay, Andrew,$$eauthor.
000938151 24514 $$aThe science of sci-fi music /$$cAndrew May.
000938151 264_1 $$aCham, Switzerland :$$bSpringer,$$c[2020]
000938151 300__ $$a1 online resource
000938151 336__ $$atext$$btxt$$2rdacontent
000938151 337__ $$acomputer$$bc$$2rdamedia
000938151 338__ $$aonline resource$$bcr$$2rdacarrier
000938151 4901_ $$aScience and Fiction
000938151 504__ $$aIncludes bibliographical references and index.
000938151 5050_ $$aAlien Sounds -- Musical Mathematics -- The Electronic Revolution -- Scientific Music -- Science Fiction and Music Culture -- Speculations on a Musical Theme.
000938151 506__ $$aAccess limited to authorized users.
000938151 520__ $$aThe 20th century saw radical changes in the way serious music is composed and produced, including the advent of electronic instruments and novel compositional methods such as serialism and stochastic music. Unlike previous artistic revolutions, this one took its cues from the world of science. Creating electronic sounds, in the early days, required a well-equipped laboratory and an understanding of acoustic theory. Composition became increasingly "algorithmic", with many composers embracing the mathematics of set theory. The result was some of the most intellectually challenging music ever written - yet also some of the best known, thanks to its rapid assimilation into sci-fi movies and TV shows, from the electronic scores of Forbidden Planet and Dr Who to the other-worldly sounds of 2001: A Space Odyssey. This book takes a close look at the science behind "science fiction" music, as well as exploring the way sci-fi imagery found its way into the work of musicians like Sun Ra and David Bowie, and how music influenced the science fiction writings of Philip K. Dick and others.
000938151 588__ $$aDescription based on online resource; title from digital title page (viewed on August 26, 2020).
000938151 650_0 $$aElectronic music$$xHistory and criticism.
000938151 650_0 $$aComputer music$$xHistory and criticism.
000938151 650_0 $$aScience fiction in music.
000938151 77608 $$iPrint version: $$z3030478327$$z9783030478322$$w(OCoLC)1150998950
000938151 830_0 $$aScience and fiction (Springer (Firm))
000938151 852__ $$bebk
000938151 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-47833-9$$zOnline Access$$91397441.1
000938151 909CO $$ooai:library.usi.edu:938151$$pGLOBAL_SET
000938151 980__ $$aEBOOK
000938151 980__ $$aBIB
000938151 982__ $$aEbook
000938151 983__ $$aOnline
000938151 994__ $$a92$$bISE