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Women Make (Write, Produce, Direct, Shoot, Edit and Analyze) Horror / Alison Peirse
Stephanie Rothman and Vampiric Film Histories / Alicia Kozma
Inside Karen Arthur's The Mafu Cage / Alexandra Heller-Nicholas
The Secret beyond the Door: Daria Nicolodi and Suspiria's Multiple Authorship / Martha Shearer
Personal Trauma Cinema and the Experimental Videos of Cecelia Condit and Ellen Cantor / Katia Houde
Self-Reflexivity and Feminist Camp in Freddy's Dead: The Final Nightmare / Tosha R. Taylor
Why Office Killer Matters / Dahlia Schweitzer
Murders and Adaptations: Gender in American Psycho / Laura Mee
Gender, Genre and Authorship in Ginger Snaps / Katarzyna Paszkiewicz
The Feminist Art-Horror of the New French Extremity / Maddison McGillvray
Women-Made Horror in Korean Cinema / Molly Kim
The Stranger with My Face International Film Festival and the Australian Female Gothic / Donna McRae
Slicing Up the Boys' Club: The Female-Led Horror Anthology Film / Erin Harrington
The Transnational Gaze in A Girl Walks Home Alone at Night / Lindsey Decker
Gigi Saul Guerrero and Her Latin American Female Monsters / Valeria Villegas Lindvall
Uncanny Tales: Lucile Hadžihalilović's Évolution / Janice Loreck
The (Re)Birth of Pregnancy Horror in Alice Lowe's Prevenge /Amy C. Chambers
The Rise of the Female Horror Filmmaker-Fan / Sonia Lupher.

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