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The practical and symbolic functions of pre-Rameau opera at the Paris Opéra before Gluck / Michel Noiray
Operatic canons and repertories in Italy around 1900 / Jutta Toelle
Phantoms at the Opéra: Meyerbeer and de-canonization / Flora Willson
The uses and disadvantages of opera history: Unhistorical thinking in fin-de-siècle Paris / William Gibbons
International opera in nineteenth-century New York: Core repertories and canonic values / Karen Ahlquist
Canons of real and imagined opera: Buenos Aires and Montevideo, 1810-1860 / Benjamin Walton
Viennese operetta canon formation and the journey to prestige / Micaela Baranello
Canons of the American Musical / Raymond Knapp
Setting the standard: Singers, theater practices, and the operatic canon in nineteenth-century / Kimberly White
Redefining the standard: Pauline Viardot and Gluck's Orphée / Hilary Poriss
Sound recording and the operatic canon: Three “drops of the needle” / Karen Henson
Italian opera and the concept of “canon” in the late eighteenth century / Franco Piperno
Opera on film and the canon / Hugo Shirley
National and international canons of opera in Tsarist Russia / Rutger Helmers
The survival of English opera in nineteenth-century concert life / William Weber
Canons of the Risorgimento then and now / Cormac Newark
Critical reflections on the operatic canon / John Rockwell
Inside and outside the operatic canon, on stage and in the boardroom / Kasper Holten
/ Mark Berry
The repertory of the Italian Court Opera in Berlin, 1740-1786 / John Mangum
General introduction: Idiosyncrasies of the operatic canon / Cormac Newark, William Weber
Catching up and getting ahead: The opera house as temple of art in Berlin c. 1800 / Katherine Hambridge
The evolution of French opera repertories in provincial theaters: Three epochs, 1770-1900 / Patrick Taïeb, Sabine Teulon Lardic
The mingling of opera genres: Canonic opera at the Théâtre des Arts in Rouen, 1882-1897 / Yannick Simon
From recycled performances to repertoire at the King's Theatre in London, 1705-1820 / Michael Burden
Repertory opera and canonic sensibility at the London opera, 1820-1860 / Jennifer Hall-Witt
Theaters, markets, and canonic implications in the Italian opera system, 1820-1880 / Carlotta Sorba.
Operatic canons and repertories in Italy around 1900 / Jutta Toelle
Phantoms at the Opéra: Meyerbeer and de-canonization / Flora Willson
The uses and disadvantages of opera history: Unhistorical thinking in fin-de-siècle Paris / William Gibbons
International opera in nineteenth-century New York: Core repertories and canonic values / Karen Ahlquist
Canons of real and imagined opera: Buenos Aires and Montevideo, 1810-1860 / Benjamin Walton
Viennese operetta canon formation and the journey to prestige / Micaela Baranello
Canons of the American Musical / Raymond Knapp
Setting the standard: Singers, theater practices, and the operatic canon in nineteenth-century / Kimberly White
Redefining the standard: Pauline Viardot and Gluck's Orphée / Hilary Poriss
Sound recording and the operatic canon: Three “drops of the needle” / Karen Henson
Italian opera and the concept of “canon” in the late eighteenth century / Franco Piperno
Opera on film and the canon / Hugo Shirley
National and international canons of opera in Tsarist Russia / Rutger Helmers
The survival of English opera in nineteenth-century concert life / William Weber
Canons of the Risorgimento then and now / Cormac Newark
Critical reflections on the operatic canon / John Rockwell
Inside and outside the operatic canon, on stage and in the boardroom / Kasper Holten
/ Mark Berry
The repertory of the Italian Court Opera in Berlin, 1740-1786 / John Mangum
General introduction: Idiosyncrasies of the operatic canon / Cormac Newark, William Weber
Catching up and getting ahead: The opera house as temple of art in Berlin c. 1800 / Katherine Hambridge
The evolution of French opera repertories in provincial theaters: Three epochs, 1770-1900 / Patrick Taïeb, Sabine Teulon Lardic
The mingling of opera genres: Canonic opera at the Théâtre des Arts in Rouen, 1882-1897 / Yannick Simon
From recycled performances to repertoire at the King's Theatre in London, 1705-1820 / Michael Burden
Repertory opera and canonic sensibility at the London opera, 1820-1860 / Jennifer Hall-Witt
Theaters, markets, and canonic implications in the Italian opera system, 1820-1880 / Carlotta Sorba.