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Introduction: The Last Great Adventure is Me
Deborah Cherry, University of the Arts London UK and Alexandra Kokoli, Middlesex University, UK
1. Rethinking Tracey Emin: Life into Art Mark Durden, University of South Wales, UK
2. 'It was just me, Tracey': Strategies of Self-Presentation in the Art of Tracey Emin
Camilla Jalving, National Gallery of Denmark, Denmark
3. A Black Cat Crossed My Path Glenn Adamson, Yale Center for British Art, USA
4. Twenty Years in the Making: Tracey Emin's My Bed
Deborah Cherry, University of the Arts London UK
5. The Bonfire of the Fallacies (or is it Phalluses?)
Alexandra Kokoli, Middlesex University, UK
6. Early Emin
John White, independent, UK
7. 'I Do Not Expect to be a Mother': Non-Reproduction and Ageing in the Work of Tracey Emin Joanne Heath , independent, UK
8. Dream and Diaspora: Tracey Emin's Turkish Cypriot Legacy Alev Adil, indepedent, UK
9. All at Sea: Bad Girls, Hut Myths and Tracey Emin's 'Property by the Sea' Gill Perry, Open University, UK
Deborah Cherry, University of the Arts London UK and Alexandra Kokoli, Middlesex University, UK
1. Rethinking Tracey Emin: Life into Art Mark Durden, University of South Wales, UK
2. 'It was just me, Tracey': Strategies of Self-Presentation in the Art of Tracey Emin
Camilla Jalving, National Gallery of Denmark, Denmark
3. A Black Cat Crossed My Path Glenn Adamson, Yale Center for British Art, USA
4. Twenty Years in the Making: Tracey Emin's My Bed
Deborah Cherry, University of the Arts London UK
5. The Bonfire of the Fallacies (or is it Phalluses?)
Alexandra Kokoli, Middlesex University, UK
6. Early Emin
John White, independent, UK
7. 'I Do Not Expect to be a Mother': Non-Reproduction and Ageing in the Work of Tracey Emin Joanne Heath , independent, UK
8. Dream and Diaspora: Tracey Emin's Turkish Cypriot Legacy Alev Adil, indepedent, UK
9. All at Sea: Bad Girls, Hut Myths and Tracey Emin's 'Property by the Sea' Gill Perry, Open University, UK