000939781 000__ 02821cam\a2200505Mi\4500 000939781 001__ 939781 000939781 005__ 20230306152026.0 000939781 006__ m\\\\\o\\d\\\\\\\\ 000939781 007__ cr\nn\nnnunnun 000939781 008__ 180206s2018\\\\gw\a\\\\o\\\\\000\0\eng\d 000939781 019__ $$a1022785813 000939781 020__ $$a9783319706290 000939781 020__ $$a3319706292 000939781 020__ $$z3319706284 000939781 020__ $$z9783319706283 000939781 0247_ $$a10.1007/978-3-319-70629-0$$2doi 000939781 035__ $$aSP(OCoLC)on1029093272 000939781 035__ $$aSP(OCoLC)1029093272$$z(OCoLC)1022785813 000939781 040__ $$aAZU$$beng$$epn$$cAZU$$dOCLCO$$dYDX$$dOCLCF$$dOCLCQ$$dOCLCO$$dOCL$$dVT2$$dWYU$$dOCLCQ$$dLEAUB$$dOCLCQ$$dADU 000939781 043__ $$aa------ 000939781 049__ $$aISEA 000939781 050_4 $$aPN1993-PN1999 000939781 08204 $$a791.43/61640952$$223 000939781 1001_ $$aBrown, Steven T.,$$eauthor. 000939781 24510 $$aJapanese Horror and the Transnational Cinema of Sensations /$$cby Steven T. Brown. 000939781 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2018. 000939781 300__ $$a1 online resource (XVI, 330 pages 62 illustrations, 49 illustrations in color.) :$$billustrations 000939781 336__ $$atext$$btxt$$2rdacontent 000939781 337__ $$acomputer$$bc$$2rdamedia 000939781 338__ $$aonline resource$$bcr$$2rdacarrier 000939781 347__ $$atext file$$bPDF$$2rda 000939781 4901_ $$aEast Asian Popular Culture 000939781 5050_ $$a1. Introduction -- 2. Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi -- 3. Double Trouble: Doppelgängers in Japanese Horror -- 4. Cinema Fou: Surrealist Horror from Face of Another to Gozu -- 5. In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy -- 6. Conclusion: Envelopes of Fear: The Temporality of Japanese Horror. 000939781 506__ $$aAccess limited to authorized users. 000939781 520__ $$aJapanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror's slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations. 000939781 650_0 $$aCulture$$xStudy and teaching. 000939781 650_0 $$aEthnology$$zAsia. 000939781 650_0 $$aMotion pictures$$zAsia. 000939781 650_0 $$aFilm genres. 000939781 77608 $$iPrint version:$$z9783319706283 000939781 830_0 $$aEast Asian Popular Culture. 000939781 852__ $$bebk 000939781 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-70629-0$$zOnline Access$$91397441.1 000939781 909CO $$ooai:library.usi.edu:939781$$pGLOBAL_SET 000939781 980__ $$aEBOOK 000939781 980__ $$aBIB 000939781 982__ $$aEbook 000939781 983__ $$aOnline 000939781 994__ $$a92$$bISE