Japanese Horror and the Transnational Cinema of Sensations / by Steven T. Brown.
2018
PN1993-PN1999
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Title
Japanese Horror and the Transnational Cinema of Sensations / by Steven T. Brown.
Author
Brown, Steven T., author.
ISBN
9783319706290
3319706292
3319706284
9783319706283
3319706292
3319706284
9783319706283
Published
Cham : Springer International Publishing : Imprint : Palgrave Macmillan, 2018.
Language
English
Description
1 online resource (XVI, 330 pages 62 illustrations, 49 illustrations in color.) : illustrations
Item Number
10.1007/978-3-319-70629-0 doi
Call Number
PN1993-PN1999
Dewey Decimal Classification
791.43/61640952
Summary
Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror's slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.
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text file PDF
Series
East Asian Popular Culture.
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Print version: 9783319706283
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Table of Contents
1. Introduction
2. Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi
3. Double Trouble: Doppelgängers in Japanese Horror
4. Cinema Fou: Surrealist Horror from Face of Another to Gozu
5. In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy
6. Conclusion: Envelopes of Fear: The Temporality of Japanese Horror.
2. Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi
3. Double Trouble: Doppelgängers in Japanese Horror
4. Cinema Fou: Surrealist Horror from Face of Another to Gozu
5. In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy
6. Conclusion: Envelopes of Fear: The Temporality of Japanese Horror.