000940072 000__ 03109cam\a2200505Ii\4500 000940072 001__ 940072 000940072 005__ 20230306152120.0 000940072 006__ m\\\\\o\\d\\\\\\\\ 000940072 007__ cr\cn\nnnunnun 000940072 008__ 180828s2018\\\\sz\\\\\\ob\\\\001\0\eng\d 000940072 019__ $$a1050337545$$a1086471806$$a1122813677 000940072 020__ $$a9783319913315$$q(electronic book) 000940072 020__ $$a331991331X$$q(electronic book) 000940072 020__ $$z9783319913308 000940072 020__ $$z3319913301 000940072 0247_ $$a10.1007/978-3-319-91331-5$$2doi 000940072 035__ $$aSP(OCoLC)on1050110388 000940072 035__ $$aSP(OCoLC)1050110388$$z(OCoLC)1050337545$$z(OCoLC)1086471806$$z(OCoLC)1122813677 000940072 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dYDX$$dEBLCP$$dNLE$$dOCLCF$$dUKMGB$$dYDXIT$$dUKAHL$$dLEAUB$$dLEATE$$dOCLCQ 000940072 049__ $$aISEA 000940072 050_4 $$aB105.C456$$bA45 2018 000940072 08204 $$a128/.3$$223 000940072 24500 $$aAll too human :$$blaughter, humor, and comedy in nineteenth-century philosophy /$$cLydia L. Moland, editor. 000940072 264_1 $$aCham, Switzerland :$$bSpringer,$$c[2018] 000940072 300__ $$a1 online resource (xi, 198 pages) 000940072 336__ $$atext$$btxt$$2rdacontent 000940072 337__ $$acomputer$$bc$$2rdamedia 000940072 338__ $$aonline resource$$bcr$$2rdacarrier 000940072 347__ $$atext file$$bPDF$$2rda 000940072 4901_ $$aBoston studies in philosophy, religion and public life ;$$vvolume 7 000940072 504__ $$aIncludes bibliographical references and index. 000940072 506__ $$aAccess limited to authorized users. 000940072 520__ $$aThis book offers an analysis of humor, comedy, and laughter as philosophical topics in the 19th Century. It traces the introduction of humor as a new aesthetic category inspired by Laurence Sterne's "Tristram Shandy" and shows Sterne's deep influence on German aesthetic theorists of this period. Through differentiating humor from comedy, the book suggests important distinctions within the aesthetic philosophies of G.W.F. Hegel, Karl Solger, and Jean Paul Richter. The book links Kant's underdeveloped incongruity theory of laughter to Schopenhauer's more complete account and identifies humor's place in the pessimistic philosophy of Julius Bahnsen. It considers how caricature functioned at the intersection of politics, aesthetics, and ethics in Karl Rosenkranz's work, and how Kierkegaard and Nietzsche made humor central not only to their philosophical content but also to its style. The book concludes with an explication of French philosopher Henri Bergson's claim that laughter is a response to mechanical inelasticity. 000940072 588__ $$aOnline resource; title from digital title page (viewed on January 03, 2019). 000940072 650_0 $$aComedy$$xPhilosophy. 000940072 650_0 $$aLaughter$$xPhilosophy. 000940072 650_0 $$aWit and humor$$xPhilosophy. 000940072 650_0 $$aPhilosophy, Modern$$y19th century. 000940072 7001_ $$aMoland, Lydia L.,$$eeditor. 000940072 77608 $$iPrint version:$$tAll too human.$$dCham, Switzerland : Springer, [2018]$$z3319913301$$z9783319913308$$w(OCoLC)1030901443 000940072 830_0 $$aBoston studies in philosophy, religion and public life ;$$vv. 7. 000940072 852__ $$bebk 000940072 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-91331-5$$zOnline Access$$91397441.1 000940072 909CO $$ooai:library.usi.edu:940072$$pGLOBAL_SET 000940072 980__ $$aEBOOK 000940072 980__ $$aBIB 000940072 982__ $$aEbook 000940072 983__ $$aOnline 000940072 994__ $$a92$$bISE