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000940081 019__ $$a1050617110$$a1152984780
000940081 020__ $$a9783319967431$$q(electronic book)
000940081 020__ $$a3319967436$$q(electronic book)
000940081 020__ $$z9783319967424
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000940081 020__ $$a3319967428
000940081 020__ $$a9783319967424
000940081 0243_ $$a9783319967424
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000940081 050_4 $$aPN1995.9.A8
000940081 08204 $$a302.2343$$223
000940081 1001_ $$aComanducci, Carlo,$$eauthor.
000940081 24510 $$aSpectatorship and film theory :$$bthe wayward spectator /$$cCarlo Comanducci.
000940081 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018]
000940081 264_4 $$c©2018
000940081 300__ $$a1 online resource
000940081 336__ $$atext$$btxt$$2rdacontent
000940081 337__ $$acomputer$$bc$$2rdamedia
000940081 338__ $$aonline resource$$bcr$$2rdacarrier
000940081 504__ $$aIncludes bibliographical references and index.
000940081 506__ $$aAccess limited to authorized users.
000940081 520__ $$aThis book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator's gaze. Combining Jacques Rancière's emancipated spectator with Judith Butler's queer theory of subjectivity, Spectatorship and Film Theory foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensions--a "wayward" history of encounters.
000940081 588__ $$aVendor-supplied metadata.
000940081 650_0 $$aMotion picture audiences.
000940081 650_0 $$aMotion pictures.
000940081 650_0 $$aMotion pictures$$xPhilosophy.
000940081 650_0 $$aMotion picture audiences$$xPsychology.
000940081 650_0 $$aSubjectivity in motion pictures.
000940081 77608 $$iPrint version:$$aComanducci, Carlo.$$tSpectatorship and film theory.$$dCham, Switzerland : Palgrave Macmillan, [2018]$$z3319967428$$z9783319967424$$w(OCoLC)1042076176
000940081 852__ $$bebk
000940081 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-96743-1$$zOnline Access$$91397441.1
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000940081 980__ $$aBIB
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