000940148 000__ 03136cam\a2200457Ii\4500 000940148 001__ 940148 000940148 005__ 20230306152125.0 000940148 006__ m\\\\\o\\d\\\\\\\\ 000940148 007__ cr\cn\nnnunnun 000940148 008__ 181016s2018\\\\sz\\\\\\ob\\\\001\0\eng\d 000940148 019__ $$a1057375763$$a1086470424 000940148 020__ $$a9783319968728$$q(electronic book) 000940148 020__ $$a3319968726$$q(electronic book) 000940148 020__ $$z3319968718 000940148 020__ $$z9783319968711 000940148 0247_ $$a10.1007/978-3-319-96872-8$$2doi 000940148 035__ $$aSP(OCoLC)on1057018334 000940148 035__ $$aSP(OCoLC)1057018334$$z(OCoLC)1057375763$$z(OCoLC)1086470424 000940148 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dYDX$$dUKMGB$$dOCLCF$$dLEAUB 000940148 049__ $$aISEA 000940148 050_4 $$aPN1995$$b.C23 2018 000940148 08204 $$a791.4301$$223 000940148 1001_ $$aÇağlayan, Emre,$$eauthor. 000940148 24510 $$aPoetics of slow cinema :$$bnostalgia, absurdism, boredom /$$cEmre Çağlayan. 000940148 264_1 $$aCham, Switzerland :$$bSpringer,$$c[2018] 000940148 300__ $$a1 online resource 000940148 336__ $$atext$$btxt$$2rdacontent 000940148 337__ $$acomputer$$bc$$2rdamedia 000940148 338__ $$aonline resource$$bcr$$2rdacarrier 000940148 347__ $$atext file$$bPDF$$2rda 000940148 504__ $$aIncludes bibliographical references and index. 000940148 5050_ $$a1. Slow Cinema in Context -- 2. Béla Tarr: A Nostalgia for Modernism -- 3. Tsai Ming-liang: Less is Absurd -- 4. Nuri Bilge Ceylan: An Aesthetics of Boredom -- 5. Epilogue: The Future of Slow Cinema. 000940148 506__ $$aAccess limited to authorized users. 000940148 5208_ $$aThis book discusses slow cinema, a contemporary global production trend that has recently gained momentum in film theory and criticism. Slow films dispense with narrative progression in favour of a contemplative mood, which is stretched out to the extreme in order to impel viewers to confront cinematic temporality in all its undivided glory. Despite its critical reputation as an oblique mode of film practice, slow cinema continues to attract, challenge and provoke audiences. Focusing on filmmakers Béla Tarr, Tsai Ming-liang and Nuri Bilge Ceylan, this book identifies nostalgia, absurd humour and boredom as intrinsic dimensions of slow cinema and explores the ways in which these directors negotiate local filmmaking conventions with the demands of a global cinephile niche. As the first study to treat slow cinema both as an aesthetic style and as an institutional discourse, Poetics of Slow Cinema offers an illuminating perspective on the tradition?s historical genealogy and envisions it with a Janus-faced disposition in the age of digital technologies?lamenting at once the passing of difficult, ambiguous modernist film and capitalizing on the yearning for its absence. 000940148 588__ $$aDescription based on online resource; title from digital title page (viewed on November 05, 2018). 000940148 650_0 $$aSlow cinema. 000940148 77608 $$iPrint version:$$aCAGLAYAN, EMRE.$$tPOETICS OF SLOW CINEMA.$$d[Place of publication not identified] : SPRINGER INTERNATIONAL PU, 2018$$z3319968718$$w(OCoLC)1042078767 000940148 852__ $$bebk 000940148 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-96872-8$$zOnline Access$$91397441.1 000940148 909CO $$ooai:library.usi.edu:940148$$pGLOBAL_SET 000940148 980__ $$aEBOOK 000940148 980__ $$aBIB 000940148 982__ $$aEbook 000940148 983__ $$aOnline 000940148 994__ $$a92$$bISE