000940152 000__ 03228cam\a2200517Ki\4500
000940152 001__ 940152
000940152 005__ 20230306152125.0
000940152 006__ m\\\\\o\\d\\\\\\\\
000940152 007__ cr\cn\nnnunnun
000940152 008__ 181020s2018\\\\sz\a\\\\ob\\\\001\0\eng\d
000940152 019__ $$a1057623937$$a1083326274$$a1156365604$$a1162737134
000940152 020__ $$a9783319967011$$q(electronic book)
000940152 020__ $$a3319967010$$q(electronic book)
000940152 020__ $$z3319967002
000940152 020__ $$z9783319967004
000940152 0243_ $$a9783319967004
000940152 035__ $$aSP(OCoLC)on1057679351
000940152 035__ $$aSP(OCoLC)1057679351$$z(OCoLC)1057623937$$z(OCoLC)1083326274$$z(OCoLC)1156365604$$z(OCoLC)1162737134
000940152 040__ $$aEBLCP$$beng$$erda$$epn$$cEBLCP$$dYDXIT$$dOCLCF$$dYDX$$dOCLCQ$$dLEAUB$$dUKAHL$$dCUY$$dOCLCQ$$dOCL$$dOCLCQ$$dVT2
000940152 043__ $$ae-fr---$$ae-it---
000940152 049__ $$aISEA
000940152 050_4 $$aPN1995.9.H55$$bB74 2018
000940152 08204 $$a791.43653$$223
000940152 1001_ $$aBrett, Oliver,$$eauthor.
000940152 24510 $$aPerforming place in French and Italian queer documentary film :$$bspace and Proust's lieu factice /$$cOliver Brett.
000940152 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018]
000940152 300__ $$a1 online resource (ix, 249 pages)
000940152 336__ $$atext$$btxt$$2rdacontent
000940152 337__ $$acomputer$$bc$$2rdamedia
000940152 338__ $$aonline resource$$bcr$$2rdacarrier
000940152 504__ $$aIncludes bibliographical references and index.
000940152 506__ $$aAccess limited to authorized users.
000940152 520__ $$aThis book explores the space of queer documentary through the modernist optic of Marcel Proust's 'lieu factice' (artificial place), a perspective that problematizes the location of place in a post-postmodern world with a dispersed sense of the real. The practice of queer documentary in France and Italy, from the beginning of the new millennium onwards, is seen to re-write the coherence of 'place' through a range of emerging queer realities. Proposing the post-queer as a way of contending with the spatial dynamics of these contexts, analysis of key texts positions place as mourned, conceded and intersectional. The performance of place as agency is considered through the notional film, the radical archive of documentary, the enactment of politics, queer indeterminacy and a phenomenology of the object, the frame and queer mobility. The central themes of family, gender, dis/location, in/visibility and re/presentation question blind investment in the integrity of being emplaced.
000940152 588__ $$aOnline resource; title from digital title page (viewed on November 14, 2018).
000940152 650_0 $$aDocumentary films$$zFrance$$xHistory and criticism.
000940152 650_0 $$aDocumentary films$$zItaly$$xHistory and criticism.
000940152 650_0 $$aGays in motion pictures$$xHistory and criticism.
000940152 650_0 $$aHomosexuality in motion pictures.
000940152 650_0 $$aSexual minorities in motion pictures.
000940152 650_0 $$aPlace (Philosophy)
000940152 650_0 $$aPlace (Philosophy) in motion pictures.
000940152 77608 $$iPrint version:$$aBrett, Oliver.$$tPerforming Place in French and Italian Queer Documentary Film : Space and Proust's Lieu Factice.$$dCham : Palgrave Macmillan US, ©2018$$z9783319967004
000940152 852__ $$bebk
000940152 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-96701-1$$zOnline Access$$91397441.1
000940152 909CO $$ooai:library.usi.edu:940152$$pGLOBAL_SET
000940152 980__ $$aEBOOK
000940152 980__ $$aBIB
000940152 982__ $$aEbook
000940152 983__ $$aOnline
000940152 994__ $$a92$$bISE