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000940169 019__ $$a1113380806$$a1160062633
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000940169 0247_ $$a10.1007/978-3-319-71670-1$$2doi
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000940169 050_4 $$aPN1992.3.G7$$b.L443 2018
000940169 08204 $$a384.550941$$223
000940169 1001_ $$aLee, David,$$eauthor.
000940169 24510 $$aIndependent Television Production in the UK :$$bFrom Cottage Industry to Big Business /$$cby David Lee.
000940169 264_1 $$aCham$$bSpringer International Publishing$$bImprint: Palgrave Macmillan,$$c2018.
000940169 264_1 $$bSpringer International Publishing.
000940169 300__ $$a1 online resource (ix, 244 pages)
000940169 336__ $$atext$$btxt$$2rdacontent
000940169 337__ $$acomputer$$bc$$2rdamedia
000940169 338__ $$aonline resource$$bcr$$2rdacarrier
000940169 347__ $$atext file$$bPDF$$2rda
000940169 5050_ $$a1. Chapter 1: Introduction: Situating Independent Television in the cultural economy -- 2. Part I: Independent transformations. The politics of independence: Contextualising independent television production in the UK -- Chapter 2. The creation of the independent sector in the UK -- 3. Chapter 3. Creative Industries policy and the rise of the 'mega-indies'; Independent television production in the age of New Labour -- 4. Part II: Working in independent television -- Chapter 4: Creative labour and social change -- 5. Chapter 5 Working in the Indies: Precarity, value and burnout -- 6. Chapter 6 Networks, social capital and the burden of performativity -- 7. Part III: Cultural Value -- Chapter 7 Independent Creativity -- 8. Chapter 8: Commercialisation, consolidation and cultural value: The restructuring of the British independent television industry, and the implications for production -- 9. Chapter 9. Conclusion: towards a moral economy of independent television production.
000940169 506__ $$aAccess limited to authorized users.
000940169 520__ $$aThis book is the first authoritative account of the UK's independent television production sector, following the creation of Channel 4 in 1982. It examines the rise of a global industry, increasingly interconnected through format development, distribution, ancillary sales and rights. Drawing on case studies, interviews and policy analysis; the author considers the cultural politics behind the growth of the 'indies', the labour conditions for workers in this sector, and some of the key television programmes that have been created within it. Filling an important gap in our understanding, this book constitutes a comprehensive account of this vital cultural industry for students, academics and researchers working in the areas of the cultural and creative industries, media and cultural policy and television studies.
000940169 588__ $$aDescription based on print version record.
000940169 61020 $$aChannel Four (Great Britain)$$xHistory.
000940169 650_0 $$aTelevision broadcasting$$zGreat Britain.
000940169 7760_ $$z3319716697
000940169 852__ $$bebk
000940169 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-71670-1$$zOnline Access$$91397441.1
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