000940183 000__ 02881cam\a2200481M\\4500 000940183 001__ 940183 000940183 005__ 20230306152127.0 000940183 006__ m\\\\\o\\d\\\\\\\\ 000940183 007__ cr\cn\nnnunnun 000940183 008__ 180505s2018\\\\gw\\\\\\o\\\\\000\0\eng\d 000940183 020__ $$a3319757202 000940183 020__ $$a9783319757209 000940183 020__ $$z9783319757193 000940183 0247_ $$a10.1007/978-3-319-75720-9$$2doi 000940183 035__ $$aSP(OCoLC)on1059031682 000940183 035__ $$aSP(OCoLC)1059031682 000940183 040__ $$aAU@$$beng$$erda$$epn$$cAU@$$dOCLCO$$dOCLCF$$dUKMGB$$dAU@$$dOCLCQ 000940183 049__ $$aISEA 000940183 050_4 $$aJZ5509.2-JZ6300 000940183 08204 $$a303.66$$223 000940183 1001_ $$aPremaratna, Nilanjana.,$$eauthor. 000940183 24510 $$aTheatre for Peacebuilding :$$bthe Role of Arts in Conflict Transformation in South Asia /$$cby Nilanjana Premaratna. 000940183 264_1 $$aCham$$bSpringer International Publishing$$bImprint: Palgrave Macmillan,$$c2018. 000940183 264_1 $$bSpringer International Publishing. 000940183 300__ $$a1 online resource (256 pages) 000940183 336__ $$atext$$btxt$$2rdacontent 000940183 337__ $$acomputer$$bc$$2rdamedia 000940183 338__ $$aonline resource$$bcr$$2rdacarrier 000940183 347__ $$atext file$$bPDF$$2rda 000940183 4901_ $$aRethinking Peace and Conflict Studies 000940183 5050_ $$a1. Introduction -- 2. Peacebuilding and its Critiques -- 3. Theatre for Peacebuilding -- 4. Jana Karaliya: Inviting a shared future -- 5. Jana Sanskriti: Transforming through empowerment -- 6. Sarwanam: Speaking for the people -- 7. Conclusion. 000940183 506__ $$aAccess limited to authorized users. 000940183 520__ $$aThis book contributes to key debates in peacebuilding by exploring the role of theatre and art in general. Premaratna argues that the dialogical and multi-voiced nature of theatre is particularly suited to assisting societies coming to terms with conflict and opening up possibilities for conversation. These are important parts of the peacebuilding process. The book engages the conceptual links between theatre and peacebuilding and then offers an in-depth empirical exploration of how three South Asian theatre groups approach peacebuilding: Jana Karaliya in Sri Lanka, Jana Sanskriti in India, and Sarwanam in Nepal. The ensuing reflections offer insights that are relevant to both students and practitioners concerned with issues of peace and conflict. Nilanjana Premaratna is a Postdoctoral Fellow at the University of Zurich, Switzerland. She studied at the University of Queensland, Australia and her research and publications engage with art, peacebuilding, and politics. 000940183 588__ $$aDescription based on print version record. 000940183 650_0 $$aPeace-building. 000940183 650_0 $$aConflict management. 000940183 650_0 $$aArt and war. 000940183 7760_ $$z3319757199 000940183 830_0 $$aRethinking peace and conflict studies. 000940183 852__ $$bebk 000940183 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-75720-9$$zOnline Access$$91397441.1 000940183 909CO $$ooai:library.usi.edu:940183$$pGLOBAL_SET 000940183 980__ $$aEBOOK 000940183 980__ $$aBIB 000940183 982__ $$aEbook 000940183 983__ $$aOnline 000940183 994__ $$a92$$bISE