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000940248 020__ $$a9783319931036
000940248 020__ $$a3319931032
000940248 0247_ $$a10.1007/978-3-319-93103-6$$2doi
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000940248 035__ $$aSP(OCoLC)1086466158
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000940248 050_4 $$aPN1993.5.A1
000940248 08204 $$a791.43098$$223
000940248 1001_ $$aFehimović, Dunja.,$$eauthor
000940248 24510 $$aNational Identity in 21st-Century Cuban Cinema :$$bScreening the Repeating Island /$$cby Dunja Fehimović.
000940248 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2018.
000940248 300__ $$a1 online resource (XIII, 281 pages 32 illustrations in color.) :$$billustrations
000940248 336__ $$atext$$btxt$$2rdacontent
000940248 337__ $$acomputer$$bc$$2rdamedia
000940248 338__ $$aonline resource$$bcr$$2rdacarrier
000940248 347__ $$atext file$$bPDF$$2rda
000940248 5050_ $$a1. Introduction: Screening the Repeating Island -- 2. A Cuban Zombie Nation?: Monsters in Havana -- 3. Not Child's Play: Tactics, Strategies, and Heterotopias -- 4. Time 'Out of Joint': Icons, Images, and Archives -- 5. Of Moles and Giraffes: Recluses, Drifters, and Disconnection -- 6. Conclusion: Shipwrecks and Seasickness.
000940248 506__ $$aAccess limited to authorized users.
000940248 520__ $$aNational Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures--the monster, the child, the historic icon, and the recluse--in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba. Exploring films chosen to convey a recent diversification of subject matters, genres, and approaches, it depicts a changing industrial landscape in which the national film institute (ICAIC) coexists with international co-producers and small, 'independent' production companies. By tracing the reappearance, reconfiguration, and recycling of national identity in recent fiction feature films, the book demonstrates that the spectre of the national haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen--both hiding and revealing--a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world.
000940248 650_0 $$aMotion pictures, American.
000940248 650_0 $$aEthnology$$zLatin America.
000940248 650_0 $$aPopular culture.
000940248 650_0 $$aFilm genres.
000940248 651_0 $$aLatin America$$xPolitics and government.
000940248 77608 $$iPrint version:$$z9783319931029
000940248 852__ $$bebk
000940248 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-93103-6$$zOnline Access$$91397441.1
000940248 909CO $$ooai:library.usi.edu:940248$$pGLOBAL_SET
000940248 980__ $$aEBOOK
000940248 980__ $$aBIB
000940248 982__ $$aEbook
000940248 983__ $$aOnline
000940248 994__ $$a92$$bISE